To be at the beginning again, knowing almost nothing / by Christina Rosalie

“It makes me so happy. To be at the beginning again, knowing almost nothing…. A door like this has cracked open five or six times since we got up on our hind legs. It’s the best possible time of being alive, when almost everything you thought you knew is wrong.”— Tom Stoppard (from Arcadia)

It's taken me a while to write because every street, every ritual, every instance of who I am, and who we are as a family has been made new with this move. We arrived one month ago, chasing the sun across this wide country, and settled gradually into a wee bungalow with an arched doorway that's just up the street from the original Stumptown .

IMG_8997

IMG_9111

IMG_9176

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with a5 preset

Processed with VSCOcam with m5 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

IMG_9734

Processed with VSCOcam with c1 preset

Processed with VSCOcam with f2 preset
First impressions:
There are flowers everywhere. Bamboo grows like a weed, but I like it so. Whenever I go running, I find new paths and neighborhoods past enormous, ancient trees, bigger than any I've ever seen except for the Sequoias growing up. I run uphill, up an old volcano cone until I have a view of the city from above. On one side, Mount Hood lifts above the blue like a dream. On the other, bridges, so many of them, and a skyline I'm falling in love with.
It's taken days, many of them, for my internal sense of direction to kick in strongly. I've oriented now, and there are more days than not (finally) that I can find my way around without help from my iPhone. Thankfully, someone thought to plan most of the city in a grid, with numbered streets running one way and named streets the other.
Our little home is the littlest yet, but I love it harder every day. The angled archway going into the breakfast nook. The gorgeous morning light in the bedroom, and the evening light that floods the living room when we come home. Upstairs, the boys have the "master bedroom": a long rectangular room that was once the attic, refinished with lovely cabinets for all their things, and plenty of space to play. It's made so much sense for them to be up there, where they can sprawl out and leave legos and shells and dress-up things about. And in turn, our bedroom downstairs is dreamy. I've always wanted a room just like this--with windows across two walls, and white floaty curtains that lift and flutter in the breeze.
In the backyard the boys spend a great deal of time in the hammock strung between a plum tree and apple tree. They tilt each other out and scream; they have tickle fights; they drag up quilts and snacks; the read books; they argue. They've both adjusted to their new school and routine with grace and resilience, but there are still there moments when so much change adds up. When things feel scary and big to them. When they fall apart. When they ball their fists. When they cry.
Bean, especially is growing into himself in new ways, and new moods and wonderments overtake him. Sometimes he is the sweetest, and other times morose. His long legs, coltish as ever, his eyes flashing with a new defiant light. Sprout, full of eagerness, tender-hearted, hot-headed. Last night, when things didn't go his way, he stomped his feet and wailed, "I wish the world hadn't been made this way at all." Oh, to be small.
We live near the ocean now. Near food trucks and book stores and swanky restaurants and cafes. My creative mind is drinking it up, like someone thirsty after a long drought. How I love to be at the edges of things watching; or at the center, unnoticed, curious, smitten with beauty. I love the thousand faces I pass every day. The bikes, the blooming roses, the bumble bees, the baristas. I love the jumping rope that happens every morning, rain or shine outdoors at the boy's school. I love the tiny studio T built for me, with just enough space for creating, floors made for spilling paint, and walls for thumb tacks.


And... I am still finding the tempo of life here. When writing happens; when work does; and also running, and painting, and kissing and friends and dinner too. One of the things I've missed the most, that this blog has always been for me, is a daily record. A few moments pause. A handful of moments of intentional observation. Sometimes the most effective way of reclaiming creative habits is to start with exactly where you are, and with the smallest actions, which build to their own momentum and greatness in time.

I've been thinking a lot about what that might look like, and I've settled on this simple routine for June: 5 photos + 5 minutes. 5 photos documenting moments throughout the day, and a 5 minute writing exercise: simply recording the immediate, the present, the now.

I'd love for you to join, if you'd like! (I'll be posting more about this little challenge. Keep an eye out.)