Inspiration, starting in, achievement, and resistance {Creative Cycles Part 1}

It will begin like this: with the sudden irreverent bark of a dog on a cold snowy night; or with the lilting flight of a hundred starlings among the naked poplar branches, or in line somewhere, waiting for a cappuccino, when you pause to take note of what you’re actually thinking, and there it will be. An inkling. An image maybe, a string of notes, or perhaps a phrase.

I have a phrase in my head now, for example, that I’ve for a couple of months, rattling around like a magnet in a bucket, attracting fragments of things: filaments, filings, scraps.

That inkling will persist if you listen; until it becomes unavoidable and you have to stop wherever you are and take and admit: I have an idea! Then you will begin to wonder and ponder, record, and reflect as bits of the idea drift about in your subconscious like gorgeous saffron and vermillion coy fish moving slowly under the ice on a winter pond; moving just enough so that you know they still have a pulse, a vibration of life all of their own volition down there.

The days will gather upon themselves, until you feel the idea stirring with certainty, with urgency : a private equinox right there in the midst of your soul. And if you’re brave and passionate you’ll listen, and you’ll begin in earnest whatever work you must do.

You’ll ask for help. You’ll ask for answers. You’ll ask for time, and more time, and extra cups of coffee. You’ll clear your calendar as much as possible without the normal reluctance that you feel when pushing aside the “shoulds” and “musts” you are accustomed to always putting first.

And then there will be days, or months even, when all you want to do is dive into your work with passion and zeal and focus. This is the apex of the creative cycle.

This is when you are inclined to burn the candle at both ends; working one day of work, and another on your project; when you have perpetual paint on your fingers maybe, or a pencil behind your ear, or you feel naked without your laptop keyboard under your palms, and you don’t remember the last time you washed your sheets, and all you eat is whatever leftovers are in the fridge.

This is when the work that you’re doing becomes a force of it’s own. When even though the specter of failure rears its ugly head, and procrastination stalks you, you can shake it off with a certain courage and urgency, and get to the heart of what you intend. This is the time when all you want to do is the work you are in the midst of.

And then, as you near completion and the deadline looms, it’s possible that you’ll feel like the whole thing was a mistake. A terrible misjudgment of your abilities; a laughable mess of smithereens. It’s possible that you’ll wonder Who the hell do I think I am, anyway? And you’ll consider escape routes and worst case scenarios, and it will feel utterly impossible to finish. But you can, and you will...

//

This is part 1 in a series of posts I’ve been wanting to write for a while about creative cycles and how they affect me. My feeling is that these are very universal experiences, hence the second person voice which I fall back on naturally when I feel like it applies to you too!

I’d really love to hear your experiences about starting in on a cycle of creativity, and what happens throughout that process.

Next up in the cycle: Reaching the completion, celebration, loss and regeneration.

The things I carry:

Today I carry the feeling that I’ve slipped right back to the cusp of more things not being known than things that are for certain. I am carrying the way the light looks over the pacific ocean in the morning at Bodega Head, and a homesick feeling for my fathers hands; for the way they were always warm and skilled with tools, knobby knuckled like mine, mottled with vitiligo.

I carry a secret awful wonder at what my DNA might hold for me, and a list of appointments including one at the dermatologist’s to investigate a small hard lump on my thigh that arrived without my notice sometime in the summer, and then persisted. My regular doctor shrugged. More than likely benign. Still, a referral was made, and then one appointment after another, cancelled to make room for other more urgent things.

I carry my wedding band of soft hammered gold; a hair band around my wrist, snarled with a few tangled strands of hair yanked free from a ponytail with impatience; and the memory of my tenth birthday.

I carry my father’s SANFORD LOGO II mechanical pencil; my soft-covered Moleskine reporter’s notebook; and an ache for what I know I will forget of the way Sprout is right now, small like this, speaking with a little lisp, repeating everything, begging for a convertible blue vintage VW like the one our neighbor drives. His hair is sandy gold in the sun. Potty training is a comedy of errors and stubbornness. He gives the sweetest kisses, one arm circling my neck. How will I hold all of this in the permeable container of time?

Today I carry the sight of geese cutting across the pale morning sky, one after the next; the first inklings of a second book; ideas for classes I’m planning. I carry the way comparisons always make me feel terribly small; the fact that my jeans are tighter than they were when the summer; and the muscle memory of running hard (today, 3 miles.)

Today I carry the memory of quiet; my cup of coffee; the rooster crowing; my laptop; kindling; honey crisp apples; and questions, always questions.

What do you carry?

{I am still here}

...Finishing this book.

Breathing.

Getting paint everywhere.

Discovering + remembering what it means to be an artist like this: Courage. Revisions. Messes. Risk. It is time consuming. All consuming. It is terrifying. It is transformative. It is glorious. It is exhausting.

(Hoping to be finished Monday.)

What I really need now is good music to paint to. What have you been listening to that you love? Please share!

Closer every day

Just a quick note to share some studio snapshots I took today... and to to say thank you for all your encouragement. It means the world to me.

I am in labor

It feels like I am in labor, to be this close with the manuscript.

So close. But still, not there. Not where it needs to be. The final chapters dogging me, not quite right, not quite what they need to be yet. It's like some part of my mind is sabotaging me into this stasis: Like if I never finish, I won't have just risked everything, given everything I have.

Today the air is still heavy with humidity even after dark, and I keep circling, circling, trying to find another angle, another entry point to the words, to what I am trying to say, to what remains to be said.

The hardest part is that the whole thing is so many words. I get lost. I have to print the whole thing out and spread it about in fluttering sheaves across the floor. My studio is strewn, in shambles, with drafts. Some cut apart, taped together in new directions. It's like conducting an orchestra, this final compiling: Making each chapter vibrate in tempo with the next.

I'm experiencing some serious mental kickback. Exhaustion. Frustration. I second guess. I doubt myself. I read, re-read. Give up. Feel euphoric. Feel terrified. I'm at the same point just before transition in labor, where during the birth of both boys I yelled, "I can't do it. I can't."

That kind of close.

Today this was my distraction: Looking for awe in simple things. In the color green. In the gulls on the wind swept air. Now, back at the page.

When doing the work you love gets hard, what gets you through?