Bean

The older they get by Christina Rosalie

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My boys, they're BOYS now. Six and ten. Their birthdays passed, bookending the middle week in February with a sprinkled rainbow cake and a chocolate cake and best friends and grandparents. Balloons and a treasure hunt for Sprout. The arcade, the pool, a movie, and a sleepover for Bean. We've made it. We're beyond the beyond of early childhood. They pack their own changes of clothes for the beach; carry their own backpacks.
It does and it doesn't get easier, the older they get.
When they were babies, toddlers, preschoolers, the demand was high for every single moment, yet the moments themselves were small: A digger! A yellow dog! The injustice of mittens in winter. The fury of being asked to eat broccoli. The complexity or simplicity of falling asleep.
Now it is the complexity of being alone. The discovery of self. The absolute of independence. The hunger for protection. The need to stand out, or to fit in. Best friends, secrets, multiple choice homework assignments, and the fury of having to fold one's own laundry.
Bean hit double digits. The half way mark between now and when he'll take off into the wide orbit of his own life. Sometimes in the morning on the weekend he'll climb into bed with me and tell me about his inventions. Futuristic cars with self-generating motors, and houses with secret walls. Mommy, he says, do you know? And then he'll launch in, my mind trailing his. We're in the era of homework, cello practice, weekend sleepovers, nights when his mind spins and he can't fall to sleep. A week ago Bean fried everyone eggs. Perfect, crispy, with just enough fresh rosemary, salt and pepper. He walks to the five and dime around the corner for milk. He reads everything within reach.
Sprout became a big kid this year. Looking back at last year's birthday I still see the toddler in him. Now it's gone, and in it's place is this boy full of muscle and movement and song. Every waking second he's singing or joking or yelling. He can throw a mean frisbee, straight and far. He practices dribbling a basketball on the front walkway, and wants a hoop for the street. For him, everything is drama. His eyes wide in mock despair or bright with glee. He got a pocket knife for his birthday. Recently he's learned to strike matches; carefully lighting the candles for the dinner table every night. This morning he made pancakes with T: pouring and flipping every one.
The weekdays go by in a rhythm and blur. School and work. We do the same things. We do different things. We spend our days mostly apart. We come together in the evenings, hungry, excited, tired, impatient, eager, quiet.
As we gather around the dinner table at night they tell us stories about their days. This ritual we started so many years ago. A moment of pause and grace before we begin, then all of us there, talking, passing food. Mommy, Bean asks, what was the most interesting thing that happened to you today? He doesn't have perfect table manners yet, but he knows how to ask questions with weight. Sprout tries to remember to listen, to wait his turn. He tells exuberant stories. Finishes dinner quickly. Climbs into my lap. Always this.
On the weekends there is bacon. Good coffee. Sleeping in. Modern Love in the NY Times. A trip to the library. Some kind of adventure. Maybe a bike ride. Still, each of us craves time apart. There's not enough time for all the laundry, errands, things that pile up from the week. So then it's push & pull. Give & take.
Here we are.

Where good things happen by Christina Rosalie

All things happen here, where the world ends and the sky begins. Where the sea licks the land, where the gulls lilt and lift into the sky. All things, new, forever, ancient, always originate from this wild state; and there is nothing quite like rock hopping with wild-haired boys. Together we tilted over salt-slick pools. Leaning in. Looking. Cupped our hands full with tiny agates. Watching the surf. Drumming with sea-pummeld sticks against the rocks. Leaping with sure feet. Following, running ahead, stumbling, grinning.
We went to the shore two weekends ago and I brought my big camera and tried to capture what boyhood looks like now. What they are like, strong-muscled, loud, tender, forever tousle-headed, curious.
Nothing, says freedom to me the way the Pacific does as it comes to find the edge of the land, raw, rugged, crashing against cliffs made of lava and granite. Nothing makes my heart lift like a kite, makes me want to turn cartwheels on the beach, makes me run, arms akimbo, laughing.
Here's a glimpse from that weekend. One I want to remember.

What summer looks like around here by Christina Rosalie

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Lots of shirtless boys. Reading fiction. Sipping tea in the morning, still in bed and writing notes for my new book, still a shamble in my head. The arrival of the nanny who's made our summer mornings so much easier. Paper-mache on remnants on the back porch. Picnics on the front steps in the breeze. Time bookended between the beginning and the ending of each work day. Compression + expansion. Deep focus and then a slow unwind as the golden evening light finds us.
How has your summer been, friends? What are some highlights? Some things you're doing to revel in these golden days?

Leaving + Lucky by Christina Rosalie

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I feel so unbelievably lucky. Thank you to everyone who snatched up artwork. It was the fastest pay-what-you-can studio sale I've ever had. So fast in fact, that I had no chance to open it up to everyone. The good news: I'll be offering another sale this summer with lots more bird paintings (so much love for those, and so many requests!) and, just as soon as I get settled I'll be making a sweet postcard pack with gorgeous glossy prints of all the birds. That should be available at the end of May. I put some work up here, just for you to take a peak if you'd like.
It's been a week.
Wrapping projects, saying goodbye, and planning for things to come. I've been listening to this playlist on repeat, and periodically bursting into tears. The moments collide. Everything possible. Everything lost. Everything new.
Saying goodbye sucks. There are people here who are a part of my heart. People who make me smile every single time I think of them. I want them all to come West with us. (Maybe they will. A girl can hope.)
Because of the way spring break happens for the kids, yesterday was their last day of school. We've been the luckiest with their teachers. So good. So intuitive and skilled and heartfelt. The boys came home with goodbye cards and treasures from the year. They'll land in a new school, find new friends, chart new paths of course. They'll find their stride in summer camp. All of it. Still.
Their last day at this school felt precious and abrupt. Like it wasn't real. Like it didn't happen. Except there it is: a book from Sprout's class and teacher, "To the boy with the sunlight in his eyes." They know him well. Whenever he talks about moving he refers to our new geography in it's entirety. "To Portland, Oregon." It isn't a real place yet. The only place that's real is here, amidst boxes. He's found the packing paper and has turned it into a wide drawing surface: tall castles and taller trees.
Bean is off with his friends, saying goodbye in his own boyish ways. Playdates one after the next: biking and tree forts and inventions. Exchanging addresses. Mailing pre-emptive letters. It's only pretend-real to both of them.
"Mommy," Bean says with a playful gleam in his eyes. "I know that you and Daddy are the Easter Bunny."
I look at him: tousled hair, black and white checkered Vans, his skinny shoulders in a soft grey sweatshirt, his hands full of electric circuit board equipment. How is any of this possible at all?
The inevitable flow of time.
The way we move on: grow, and outgrow ourselves over and over again.
Here we go.

At the cusp between wonder and fact by Christina Rosalie

Bean is 9 - Christina RosalieTonight you made a fort before dinner: a quilt over two white kitchen stools, set up just so.
In went a metal tool box (your inheritance from my father) In also went your metal lock box: one you saved for and paid for yourself from the Barge Canal vintage shop on Pine Street where we go every so often, and you poke around, curious fingers in everything, always loving the things that come with lock and key.
Now you and your brother lie on your bellies, or sit cross legged, your heads bobbing up in the quilt. You light the room you’ve made by flashlight, and haul in 8 ball, assorted legos, and Honey Honey, your faithful alligator who has become your steady companion since we moved.


Bean Turns 9 - Christina Rosalie Honey Honey first arrived in a green box when you were four, in the upstairs hallway of our house at the end of the long dirt road. The box was on the old sewing machine table that we’ve since given away.
It said: Hello, I’m Honey Honey, and I’m here to go on adventures with you.
Before she arrived, you talked her often. You told me who she was, and how she could grow in the bathtub. You told me how she was magical.
Then she was there.
You’ve never doubted her magic---in the sweet, fearless way that children are about their beliefs. You know, and you don’t know—and you want to stay that way, at the cusp between wonder and fact.
You're wise enough to protect the magic that you love by not questioning too fiercely how the magic happens. Once, you left cookie crumbs on a small plate beside your alligator, and came back moments later to find them completely gone. “Ah ha!” you said.
I thought you’d call one of us out for nibbling them up, or possibly say, “See! That proves it!” but instead you said, “She likes cookies!”
Proof was never the point. You were simply interested in her dietary preferences.
In actuality your Honey Honey might really be a crocodile. She has a crocodile smile, but, to be sure, I’ve never been an expert on either. All I know is that she fits in the palm of my hand, and that the word FLORIDA is printed on her belly along with a set of numbers you declare is her birthdate and birthplace.
Who am I to argue?


Bean Turns 9 - Christina Rosalie Twice, she’s been eaten by the dog. Not eaten all the way—but had parts mangled. The first time it was her feet and tail. You cried and so I promised I’d bring her to the doctor, and she was gone for a week, and even more days after that you said, “Why is it taking so long? Is the doctor’s office busy?”
I said “Maybe there is a hippo in front of her in line to see the doctor. Hippos are big.” And I say something about how bandages take time to heal and you look terribly serious.
When she comes back, her feet and tail are, in fact, a different color: browner this time, than the green they were before.
You’re so glad to see her, you carry her on a string around your neck.
When we moved away from the only home you ever knew this summer, she rode with you like that, on a string around your neck, close to your heart. She was the only thing steady and for certain among the jumble of boxes and the bitter sweet confusion of grown-up conversations then.
There were tears, there was the ice cream truck, a new neighborhood, new bunk beds, and fields forever lost to you. Had we stayed to see you turn nine there, you would have claimed those fields this summer. Made them your escape, your wild home, your solace. But there it is: the edges of grown-up life and grown-up needs crowd in around you. You don’t have any control. You are probably only vaguely aware of the whys and hows. Commute time doesn’t mean much to you, nor does the word “work” which is one of the perpetual mysteries of childhood.
You and your brother talk about “daddy’s work” and “mommy’s work” but when I ask you to explain what that means you say things like: it means going to a place and being on the computer all day; and you go someplace where they pay you for something that you do. True enough. The ache of what those things mean, and the glory are both completely lost on you. For this I’m glad.
Yours work is that of growing tall. Of navigating the fine and fragile line between innocence and curiosity, between wonder and science.
What is true is wide and deep.
Fairies still inhabit the forests at the edges of the this truth, and the sky is filled with stars. “Up there,” you tell me, “in the stars, that’s where I came from before I came here.”
Yes, I nod. Yes. Nine years ago you came here from the stars and made me a mother.


DSC_0056 At bed you can’t find Honey Honey. You crawl back into your fort on your belly, looking everywhere, your urgency increasing.
Daddy and I wait. We’re ready for this part of the day to end. Ready to kiss you tonight and to find, in the quiet of lamplight, the company of our own thoughts without interruption.
Your voice betrays your worry. “Where did I put her?” you ask, shimmying out, and inadvertently shining your flashlight in my eyes, as you inquire. I crouch down and peer into your small world of quilt and semi-dark, feeling with my hands along the edges of things.
“Think back,” I say. “Where were you with her last?”
Soon enough you look on your dresser and find her just where you left her, there among your other treasures: microscope, spy binoculars, batteries, Lego ships, quarters.
Your gladness rings out, “Here she is!” You kiss her tenderly, then kiss me harder, wrapping your arms around my waist.
You come up to just under my chin now. An inconceivable fact. Almost every night as we lie on the couch, and I read out loud to you, I cannot help but marvel: you were a baby. My first baby.
“You fit just here on my chest. How is that possible?” I say out loud.
You say, “I still do.”
Then you curl yourself against me, folding your flexible limbs up small, smaller, until you are contained right there, beside my beating heart and I can wrap my arms around the all of you.
“Yes,” I say, kissing your hair. “You do. You always do.”

Inward Glimpses by Christina Rosalie

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The day we raked leaves, the air smelled like snow. We lit a small fire in the circular pit and gathered round it, warming our hands. Sprout couldn't stay away from the leaf pile, but Bean, suddenly older and just recovering from being sick, moped about the yard, wanting the reckless play of burrowing into leaf tunnels, yet scorning it too. Above us, the sky was that bluest blue of high altitude and cold weather. Later the snow came at dinner time. T had picked up fresh Bluepoints, and we shucked them by the sink together listening to tunes we'd picked up while in Louisiana this time last year.
It was a weekend of ups and downs. Enough time to read through the VOGUE that's been sitting on my coffee table for a month. Good coffee. A look at Dominique Levy's new gallery online. A trip to the new, big library we belong to now that we live close to town. A trip to the book store for another Molskine, and often, the collision of wanting time together voraciously and wanting time alone with equal hunger.
How was your weekend?

The day as it was {More than Just One Paragraph 23/30} by Christina Rosalie

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I didn't write last night because I came home and completely crashed: chills, swollen glands, headache. T wondered, "What about Lyme?" and so today I went and got blood drawn. I have nearly all the symptoms. But who knows? It could be anything, everything, my body on a collision course with the reality of moving, which we are in just four short days.
Bean came into bed this morning, his hair a shock of alarming curls, his grin sleepy and sweet. "How are you feeling, Mama?" he asked, spooning perfectly into my arms. And then he lay with me and we dozed and talked about things and imagined what the future will hold. He seemed to get it, my little aquarian kindred. That this is big, what we're about to do. "It's our last weekend here," he said softly, nestling in.
Then came Sprout who has the heartiest of laughs. His dimples cause an uproar of delight in my heart. He bounces instead of snuggles. His sturdy little body burrowing for a second before he springs back up, and kisses my cheeks and nose and forehead and then dives off the bed to go play with matchbox cars.

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T leaves for work. It's my day with the boys. Bean and I linger in bed, imagining where we'll explore downtown, what colors we'll paint their room, how we'll have friends nearby. Then, slowly we get up and while I'm untangling my hair and finding jeans he goes downstairs in underpants and a sweatshirt and starts making french toast. He's got the first round frying by the time I head downstairs, and is perched on the stool by the espresso machine, teaching Sprout the steps. He pulls a perfect shot. "Iced or hot, Mama?" he asks.
We eat mounds of french toast and it's perfect: eggy, with just a hint of vanilla and cream. Then, after unloading and loading the dishwasher and packing all the cookbooks that seem to have mounded themselves on the kitchen table, we head to the car with a lab slip for blood work.
Sprout watches the practitioner closely as she cinches my arm and draws blood. Unlike Bean who wants to know how everything works, Sprout wants to know if I'm okay. If it hurts. If I flinch. (I don't, just for him.)
They took such good care of me all day.

On learning, right timing & finding directions when we need them: {More than Just One Paragraph 21/30} by Christina Rosalie

On our way to his friend's house this morning Bean asked if I knew the way.
"Not really," I said. (I have this thing called an iPhone. It makes me navigationally lazy.)
"Don't worry, mama. You don't need to know the way. You can count on me. I'll show you," he said confidently.
It's true of course. For more than driving directions. This boy is my teacher. This in-two-weeks-third-grader. This coltish legged boy with a missing-tooth grin. I've fallen in love with him all over again this summer. He's just so tender and thoughtful lately. So full of a new awareness that everyone around him has emotions and thoughts and secret goals and dreams.
I often notice him watching me subtly: for a furrowed brow, or a lightness in my voice. He wants to know, "Are you happy mama?" It matters now, differently than it ever did before.
I can feel the importance of how I am in each moment with him now. The way it's making something indelible. A blueprint of the emotional topography of woman.
It's no small thing, this. Raising boys.


Sprout gets to be the only child at dinner tonight. We sit around the butcher block counter together eating soup with grilled bread and talk about numbers. We consider "How many, and then one more?" Then we make a game of writing the numbers out, each one with their own special characteristic--5 with it's baseball cap, 3 with it's two bouncy balls.
It might seem odd that I haven't taught him numbers before: he's 4.5, headed for preschool, and I'm a certified elementary teacher.
But the thing is: the meaning of the word "readiness" is debatable in my book. In the school system, readiness is knowing your numbers and letters so that you can be ready to learn mathematical operations, write sentences, and read about Spot and Jane. Then of course, those skills are learned, because they are readiness indicators for later academic skills, and so on, each skill set building to the next level until ... what? We reach the end of school, and have a bunch of skills that prepared us for more school. Hmmm. Is that really the goal?
If, instead you think about readiness from the standpoint of developmental capabilities, then things like learning numbers and letters and reading and writing are naturally, and almost inevitably a part of the process of learning to function meaningfully in the world. Academic skills are acquired when they're needed and appropriate to problem solve and recognize patterns; to make connections and navigate complex social situations; to make order from chaos, and chaos from order. Learning is about understanding the process of innovation and excavation; leading and following, taking note and being of note.
And at the end of the day, if children are submerged in a culture of learning, with real, tangible opportunities to make meaning of their world, then things like numbers--both knowing them, and writing them--are easily acquired when they're most appropriate.
Like now. Sprout's just ready. He's known how to count to 10 and farther for a year or so (although he gets creative in the teens.) And he knows how to do simple calculations: 7 and one more is 8; if there are two cookies and four of us, we'll have to break each in half to make fair shares. He even knows how to write the number 4--which is the most important number to him, of course, since that's his age. But tonight when I teach him how to write the other digits, I wish you could his chortles of delight!
With each new number, he lets out the most triumphant laugh when he masters it. Pure gusto! Complete ease. And in ten minutes he knows and is using all the digits easily. Right timing. They're useful to him now.
Of course, it's way more just this, and has everything to do with a household where learning happens all the time. A house that is literary rich, and scientifically minded. A house where T and I both engage our kids in problem solving while doing real-world tasks rewiring an outlet, making quiche, filling the gas tank, calculating change for the parking meter, programming a website, or mapping directions. (And we're blessed with kids who are typically functioning and healthy, which makes everything simpler without a doubt.)
But I've been thinking lately about the rush that we have as a culture--to get ahead. To prepare. To be productive above all else; at the front of the pack, and ahead of schedule--and how that affects me as a creative (often leaving me exhausted). And then I've been wondering if it's not something we're tacitly teaching our children, instead of showing hem that real learning means exploration and going at your own pace, prototyping and practicing and narratively mapping meaning. For that's how children are hardwired--to learn: iteratively, intuitively, and instinctively from real-world experience.
But if we dialed it back just a we bit and rested into the truth of this:
"Don't worry, mama. You don't need to know the way. You can count on me. I'll show you." I think they'd turn out just fine.
More than fine, actually.

At the fair: where we all show up for something {More than one paragraph 18/30} by Christina Rosalie

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The fair always captures my imagination. I could sit for hours watching, making up stories for every person: gap-toothed, lonesome, tattooed, bulging, burly, burlesque, vapid, vagrant, lustful, lascivious, wholesome, homely, heartfelt, heartbroken, dejected, addicted, desperate, depressed, wondering, giggly, giddy, grave, ghostly, strung out, sunken in, over zealous, sensuous, sexy, confident, criminal, carefree, innocent. All kinds show up to the fair. Everyone hungry for something. Welcome to Dreamland.
There are so many girls with incredibly short shorts, pockets sticking out the bottom, wearing cowboy boots and too much eye shadow, following after boys still pimply and lanky armed. The boys have nothing to offer. But you know how it goes. Small town. Bright lights. Everyone wants to be seen. Everyone arrives, hopeful for something that will elude most of them. To be whirled off their feet. To be wonder-filled. To gorge on funnel cake and corn dogs. To win a blue ribbons for milker cows and tractor pulls. To fall in love. To make out. To make a buck. To get a quick fix. To get a rush. To free fall. To fight. To escape the every day.
The carny at the Landslide dances to the pulsing beat of the ride across the midway. He's got some not-so-terrible freestyle moves, his arms jerking about in synchronized symmetry, his eyes closed, his head his own world for now. The kids swoop down the slide towards him on their magic carpet squares screaming. One small girl slips at the bottom as she tries to stand. Hits her butt hard. Bursts into tears.
At another ride, two carnies wrangle over cigarettes, one not more than twenty, the other old enough to be my dad. So many of them are smoking, pack after pack, the only escape during the forever long days before they can turn to whisky or meth or whatever other vice it is that claims them with the night. So many of them have blackened patches on their hands and faces, cheekbones gaunt, missing teeth. Some smile and get into the whole thing, hi-fiving the kids, make a ruckus over their sound systems, "throw your hands in the air!" "Step right up, step right up, I can guarantee you a bouncy ball!" Others move like sleep walkers, numb to the repetition, to the pulsing sound, screaming kids, cotton candy, mud, lights, gluttony. One man at at the swaying entrance to the fun house stands unmoving as kids run past him. He wears shades, stares straight ahead. We circle past three times, he hasn't moved a muscle.


For the boys, it is pure delight. They're at just the right age for all of us to walk about unencumbered, grinning, our fingers sticky with maple syrup cotton candy and ribs. Sprout was just past the 42" mark and Bean, long-legged and tousle-headed well past the 48" mark. They wanted to ride everything, and Bean would have if he could. For him, no amount of spinning or speed put him off. But the sheer volume of music on some rides utterly overwhelmed him. For Sprout, who is all volume all the time, noise wasn't the issue, or speed, but heights.
On the dragon roller coaster, they rode together. Bean was all grins, and Sprout too, until it made it's first rushing descent. Then his face crumbled. We thought he would cry, but Bean put his arm around his brother. "It's okay buddy" we watched him say. My heart felt like it'd just been inflated with helium. (How I love these kids of mine--and how happy I am they have each other.)The entire time they were at each other's sides, running ahead and stand in line, pushing each other, then holding hands, sharing an ice cream cone, chasing each other through the maze of mirrors in the fun house, or standing side by side to watch the tractor pull.
We do the rides, and then we do this: walk about, looking at all the things that make county fairs great. Kids on stilts and arm wrestling contests; a barn with home made quilts and jams; roosters with fancy combs, rabbits with floppy ears, new calves, a mama pig and her piglets, horses with long eyelashes and silky manes. The ponies nuzzle our palms. Sprout watches cows get milked with a commercial milk machine for the first time. Both boys stand forever in front of the incubator, watching eggs about to hatch, asking a million questions. Sprout almost cries when the white tractor he loves doesn't win the tractor pull. Bean drives bumper cars until his hair stands up with static.
And when leave late, two hour past their bedtime, the moon is a sickle in the inky sky, and the Ferris wheel is whirling, it's lights bright. Bright enough to blur the edges. To leave marks on closed lids. To make the whole thing seem real enough to be a dream.

The asynchronous art of motherhood and craft by Christina Rosalie

IMG_5883  The door opens and closes. One boy and then the other come in, perch on my lap, and accept my ample kisses on their warm necks. I wrap them in my arms, hold them close, and then gently nudge one and then the other out of my studio. This is my hour. The one I’ve sacrificed sleep for, waking before dawn to come reluctantly to page while the birds lift up the corners of the sky in song.
When they were small, it wasn’t like this. I couldn’t just shoo them out and shut the door. Their needs came before mine for years; milk and comfort, laundry and the full-body demands of little ones, arms always reaching up. Hours felt spliced into impossible fractions. Half-hour nap times were never long enough. Everything took three times as long to finish. Leaving and arriving were forever activities requiring sheer force of will and extra bags: wipes, snacks for the road, diapers, extra socks. And it all felt so terribly permanent: the way the edges of my self had blurred; my identity smudged with motherhood. The way time always seemed to come up short, as though there was an accounting: a reconciling of unequal equations. Motherhood vs. livelihood. Guilt and craft and love and art.
Now though, at 8 and 4, my boys have their own perimeters. And though their lives are still in orbit with mine, we have our own trajectories. They're becoming their own selves. They dress in the morning of their accord; pour cereal, ride bikes, and running wild in the yard. And when they come to my studio in the morning now, they go without question when I ask---understanding that part of what I do is a magic that happens only when I sit alone in a circle of lamplight, fingers moving across the keys.
They scoot off my lap, and pull the door closed. Their voices carry down the hall with the thump of their bare feet.



Somehow I had babies ahead of nearly everyone in my life, and so I’m again on the flip side, watching as many of my dear friends (and sisters) navigate the terrain new parenthood. They are sleep deprived, anxious, broken open, falling hard in love, inevitably remade by the small new person in their lives.
And even though I now have these two lanky-legged kids who spend hours doing their own thing without intervention (Bean reads street signs and technical manuals and builds complex circuits, and Sprout has suddenly started draw sky scrapers, and doing basic addition) I remember exactly how it felt then, when both of them were small.
I remember feeling like the equation would never reconcile. And like my art, and time, and leisure, and my barest truest sense of self had been exchanged for some other murky self defined by milk and moments of sweet heat and sobbing, blooming smiles, and the raw edge of desperation.

How I wish someone had taken me by the shoulders then and stared into my eyes and promised: It will all even out. Things kilter back to center gradually. And then you'll be on the other side, looking back.
There is no way to talk of this without verging on cliché. They grow up so fast.
Of course I could have never really heard it then, and likely all I would have wanted was to punch anyone in the face who might have dared to say a thing like that out loud. I was in the weeds. The days an eternity of overwhelming hours. Milestones were marked in weeks. Years seemed like a forever of time when counted in diapers. Everything felt rarified: alone time especially. And time fo art most of all.
Jamie and I talked about this a few weeks ago, when she interviewed me for her Creative Living podcast. She asked me: What's the greatest challenge that you face as a creative? The long and the short of my answer was about time. Finding it. Having enough of it. Balancing it. And how this looks like closing the door--and putting my work above them sometimes.
The thing about new parenthood in particular is that it's a trick of time. It's a fiction all of it's own weaving. It makes you feel like all is lost and gained. Like you can never have it all, and like you have it all. Like you have given everything, and are everything with this other little person in your world. Like sacrifice is inevitable. Like who you were and who you are will never align with who you once thought you might become.
But, to all the new mamas reading, this is I want to tell you: There's time enough.
It isn't a race. There is no finish line, other than the one that we cross when we leave our bodies behind. Sink into the moment and trust that the right time will find you again to do the work you love. To run the miles you crave. To make the art that makes your soul light up. To _______fill in the blank.
And I also want to tell you this: That in the instances or hour or days when you choose your work over your kids they'll be just fine. You're children do not need to be at the center of your world, to know that they are at the center of your heart. And when they see you do the magic of the work you love and come back with your own well filled, they will feel filled too. That's a promise.


Navigating motherhood and a life of creative work has been like learning to swing: there’s a balance of movement that propel you away and then back towards the center of gravity that holds you here on this earth.

Faces that I love: by Christina Rosalie

Big grin -- Christina Rosalie Rascal -- Christina Rosalie

Pouty Face -- Christina Rosalie

My oldest boy -- Christina Rosalie

My oldest boy -- Christina Rosalie

My oldest boy -- Christina Rosalie

Puppy Portrait - Christina Rosalie


I've been using my DSLR again lately, and I have to admit, I almost forgot the depth and texture that it captures. I use my iPhone so much--simply because it's always on hand. But I so love slowing down, and really looking through the lens. I think these shots totally capture the boys right now. Who they are, and what they're like--mud streaked, pen marked, dirt under their finger nails. They've been on vacation this week, and finally the weather has started to turn warm--inviting long hours of outdoor play in little aluvial streams, climbing apple trees, and building forts, Clover always nearby chasing sticks.

Glimpses from the weekend & an app I love by Christina Rosalie

Spy Detective  - Christina Rosalie Big eyed boy - Christina Rosalie

Brothers reading together - Christina Rosalie

A weekend tradition - Christina Rosalie

Happy grins - Christina Rosalie Paper airplane hanger - Christina Rosalie

Designing paper airplanes - Christina Rosalie

Local Donuts - Christina Rosalie

Getting Haircuts - Christina Rosalie

Last week was so turbulent and devastating, by the weekend all I needed was to disconnect and sink deeply into the simple routines of family. Homemade donuts from the tiny local bake shop that only sells on Sundays--come early, or they're gone. Haircuts for the boys and swimming at the YMCA. Making paper airplanes at the table before dinner, and watching them read together in the sunlight after.
I've been trying to take more head shots of Bean and Sprout lately, just to capture the radical growing that's been happening around here. Both of them seem huge to me, especially Bean who is suddenly coy in front of the camera, and maybe a little self conscious.
I've recently started using the beautiful and really thoughtfully designed app Notabli to curate my favorite photos, videos and quotes by my boys. Notabli has incredible privacy settings and terms for use, and its designed for parents--to take note of, and share the lives of their kids with loved ones and close friends. The best part? When the boys are big, they can inherit their Notabli feed, all backed up and ready for download. It's not often I get really excited about an app, but this one is a keeper.

Watching a boy grow up: by Christina Rosalie

We're nearly late, and I still don't have my things together when he asks me to to put the finger lining right-side-in, inside his glove. "Fine," I say, putting the bag I'm carrying down, and I crouch beside him, my too-big hands awkwardly cramming into his still-small gloves.
Inevitably, I am wearing wool and overheat immediately with the effort. It doesn't help that I'm already feeling the panic of a day too filled with things: lists I'll never make it to the bottom of, tasks unfinished from the day before. And as I am struggling beside him, asking him to try to push his hand inside his glove, his arm goes limp.
I look up and see that he's caught sight of Sprout playing with a little red flashlight. The one I found deposited carelessly on the driveway, buried under snow. I'd told Sprout he could have it. But now Bean wants it in his customary way: "That's mine!" he says, grabbing. Even though it isn't.
No amount of nudging or barking at him would get him to refocus on the situation at hand: namely his hand inside his glove that still would not fit. And suddenly I am caught up in my own hormonal, over tired, overheating tide of frustration and stress and I yell at him with a ferocity I don't expect.
Then I walk away, furious. Unable to stop, I keep yelling, caught in the sadness and shame of my own anger, and not one a bit demonstrating the the grace the self-discipline that I wish for my boy.
Eventually enough time has passed in the car on our long drive, and when we talk, his voice mostly so quiet, I can hardly hear as he replies "Yes mama" and the "No mama" and then "Yes mama," again.
I'm not sure if any of what I am saying will make a difference to him. If he'll remember my apology, or my outburst down the road. And I can feel the way we're navigating something new now. An unfamiliar terrain where feelings matter more than words, and logic is sidelined by reckless hearts. "I love you," I say to him as he climbs out of the car.
He looks at me, his face ethereal and serious and pale. "I love you too mama," he nods. "Bye!" And then he turns and walks away.
Today I idle and watch him go. His backpack so heavy, it's nearly as big as him. It's his choice. He doesn't have any books to bring. Instead, he brings extra clothes for worst case scenarios and because he likes to be the one to share with friends when they forget, and also because he's like a bit like crow, always gathering a rookery of things.
Little scraps of fabric, pencils, tape dispensers, invisible in pens, and mailing inserts. Used-up gift cards, marbles, yarn, and costume jewelry. Pen knives and hole punchers, batteries, postcards and locks and keys. These he stows in a vintage lock box that he bought from a flea market with his own money; the kind hotels used once, to keep the room keys safe with little rows of hooks on the inside.
"They might come in handy," he says. And often they do. More often though, I'm finding them in his pockets.
When he gets out of the car his backpack tilts sideways. And he has to lean awkwardly and throw his weight around to right it before he sticks one arm threw a strap and then the other.
I wave goodbye but he's not watching. Instead, he's turned to grin at another boy, walking with a blue puffy hood pulled tightly around his chubby face. He looks older than Bean, and they're not in the same class, but they seem to know each other in that casual schoolyard way of boys. He shows Bean a pencil stub he's got in his and as if it bears some importance. Both grin with big front teeth. Bean leans in with curiosity.
In their world, pencil stubs are still important.
I watch them walk into the school building together; a walk I no longer make with Bean, instead dropping him off at the circle, as he slips off into the secret world of school where he navigates everything on his own, becoming whomever he is becoming without me.
This is the crazy part of being a parent. The part when you realize that all along they weren't really yours. Not even as a tiny baby when all you did was teach them how to sleep and how to smile and how to eat and how to dream, they weren't yours. Not even then. But it's easier to fool yourself then, smelling the top of their head and believing they'll always fit just there, their small head tucked under your chin.
Now this colt-boy of mine will be 8 in a week. This wild, tender thing I've raised; long limbed with unruly hair that refuses to lie straight, even slicked under the tines of a wet comb. This boy. Becoming his own self.
He is skinny, he is lanky, he is a live wire full if electric energy and ideas. He is sentimental and nostalgic and terribly, remarkably bright. And he's so stubborn sometimes my heart breaks.
This is my lesson today: I can't really control him. Only he can truly control him. I can give him guidance and good habits, and do my best to hold my own tempestuous heart at bay, but he has to show up in his own way, finding the tenor of his own conscience, and the discipline of his own will.
And oh, how I hope we get this balance right before he's 16 and muscled and full of testosterone causing wild tides to rush in to the uncharted caves of a young boys soul. Would that we get it right before I resent him and he resents me.


Later, after dark, when I come home from work he's there at to greet me and when I put my things down he flies up into my arms. He is so light still, and lithe, his legs wrapping around my waist like some small koala bear. "Mommy!" He shouts. "I missed you! I'm so glad you're home."

A glimpse at right now: by Christina Rosalie

Sandpiper 

California was rain. At turns soft and steady and other times torrential, filling the concave places curbside with wide lakes the color of coffee, to be splashed at unsuspecting passer-by as cars churned passed.California was palm trees and bougainvilleas and trumpet flowers and a wild abundance of deciduous trees still with golden leaves even in early December, the sidewalks strewn with flecks of yellow like so many fallen stars. It was a trip on the tail-end of the stomach flu; it was dizziness at the airports and sleeping in uncomfortable positions on the plane, and all of it was worth it to see my dearest friends with new babies, and to do a reading in a beautiful loft, celebrating my book with the people who knew me when I was who I was then: a California girl, back in high school, with windy hair and a crooked-toothed smile.   I hadn't seen some of them in 16 years, but seeing them again felt familiar in the way riding a bike is familiar after not riding for years. You just know. You remember. There is body memory to the hugs; and a timber and depth to the laughter. It was the first time, really, that I felt myself reveling, a little bit, in the accomplishment of writing a book. It was a lovely way to wind the season down: seeing my book in the hands of friends and loved ones.   And now I'm back, with rain here too at the end of this dirt road. The warmest winter we've had here in my memory; the ground still soft and the air sweet with decomposing leaves and ozone as the wind blows in and the clouds lift, revealing the cerulean bowl above. In the morning, the boys run down the hall to find what the Advent Fairy has brought. She slips into our house on fairy wings, bringing special notes and tiny gifts; and after dinner the boys write loving notes to her: Bean, with uneven printing and phonetically spelling and a zillion questions about her wings and adventures and magical names; and Sprout, who has just learned to write the letters of his name, practices them gleefully on snippets of colored construction paper that he carefully cuts.   There are just a handful of days really; two weeks exactly before we slip away again for a holiday adventure as a family. And between now and then a hundred things, the least of which is laundry--though it's taking over our lives. I can't remember the last time it was all folded and put away; still every night we have dinner together and over shrimp tacos with lime and mango, T and I laugh and listen and map our future--here, and then somewhere beyond here--and then the laundry doesn't really matter at all. Instead what matters is going to bed early, the warm coffee-colored fur of the dog against my hand, silverware standing like soldiers in tidy rows in the dishwasher to be cleaned, and plotting creative collaborations with friends. Here's a peak at some new work. Nothing makes me happier lately than having a brush in my hand.   How have you been? What does this time of year look like for you?

All kinds of fun & crazy by Christina Rosalie

The past four days have been wild, in that snow-flurry, family-intensive way that only Thanksgiving vacation can produce. Pomegranate seeds in salad. Cousins chasing each other around the house. Fooseball between brothers. Red wine. Sleeping late. Snow flurries. A fractured foot. And vomit.

See how I snuck those in at the end?

That part goes something like this: The day before Thanksgiving Bean wound up at the hospital for x-rays. The night before in a moment of pure giddy flail he'd leaped (and fallen) over the space heater in his bedroom ("I should have listened to you, Mommy" he said with regret later) and still wincing and hopping about in the morning T brought him to the doctor's while I was at work. Of course, Sprout went along too, and the three of them spent much of their day in one waiting room or another while Bean was x-rayed and fitted for a boot/brase with the prognoses of a "buckle fracture." And then... wait for it... just as T was leaving the hospital, Sprout suddenly declared his stomach hurt, and then proved it, in a vibrant display in the parking lot.

Determined to get the ingredients he'd set out to get for the stuffing he was on the line to bring for Thanksgiving dinner the next day, he hauled both boys into town, arriving an hour before I usually leave work with two ashen boys and a very fragrant car. Needless to say, I left work early and drove them home, and we spent the rest of the night on the couch, Sprout clutching a bowl, and Bean muttering about his foot, while I read to both of them.

Thanksgiving day we awoke to milky sunlight, having slept late, and to the sounds of two very chipper boys playing contentedly in their room. Neither seemed the worse for the wear and Thanksgiving day passed serenely with all the usual delights of family and feasting. Friday was a blur. We cut a tree that recently fell across our driveway. We had dinner at the inlaws. There was even a nap. And then Saturday brought round two of vomit, that occured shortly after the most acrobatic lunch of the weekend, with inlaws and twin nephews at a noodle house. Roadside noodles for Bean. Sigh.

Sunday Bean was bright-eyed and bushy tailed as is his usual manner, and both boys painted for a while in my studio, where I holed up for most of the day--painting four canvases all told, and making this video for the Squam Art Workshops blog--which is the most fun I've ever had doing an interview with someone remotely.

Sunday was also the day my dear friend Jessica had her baby boy--and that news set me to wondering (at the fact that when Jessica has an an almost 8 year old, like my Bean is now, I'll have an ALMOST 16 YEAR OLD, and holy moly, that is pure craziness) and also to remembering the birth stories of both my boys.

I am exited beyond words to be heading out to California this weekend see her, and Willow and, fingers crossed, a stop at Teahouse and a peak at my gorgeous Pacific ocean too. Oh California. I'll never stop loving you.

So, there you have it. The most rambling of updates. It's been far too long. I keep waiting for the perfect opportunity to slip back in and get all caught up, but the perfect opportunity is never, and so here you are. Rambling. Update.

How was your Thanksgiving? What are you looking forward to this December?

The smallest big things + A Giveaway! by Christina Rosalie

  I keep circling back to this: Every day I need to write, to paint, to read, to share. Yet every day there are innumerable other things that fill the hours: building lego cars after dinner with Sprout, reading long chapters from my favorite classics to Bean, bedtime snuggles, morning time bustle, the day awash with movement and doing.

Navigating motherhood and creativity is something that I'm always trying to do, and today I'm excited to share Renee Touga's e-book, Nurturing Creativity: A Guide For Busy Moms, that will prompt, and motivate, and inspire you to make the most of your busy moments with little ones.

Renee has generously offered me 2 copies of Nurturing Creativity: A Guide For Busy Moms, to give away to my readers!

Leave a comment to enter, and I'll pick the winner's at random tonight. Enjoy!

xoxo, Christina

UPDATED: And the winners are: Emily and Sandy!

To love, to care for, and to dream by Christina Rosalie

Saturday morning the boys woke up early, their voices carrying down the hall before the sun was up. The sky was overcast and pale with the milky light of pre-dawn, and I nosed in next to T, smelling the fragrance of his skin where his clavicle meets his shoulder, and burrowed farther under the covers. But soon they were at our door, two eager faces, one with a jack-o-lantern grin of missing teeth, the other a pacifier still in his mouth, in spite of the fact that he is almost four.

“We’re going to the zoo today!” they announced, as if we might have forgotten.

We’d planned the trip for a week. A two hour drive north across the boarder to the Granby Zoo, and somehow, suddenly, it was Saturday, and they were ready to pounce, impatient, grinning, gregarious. T got up first, and while he showered, they tucked in under the covers with me—and we whispered about what we were looking forward to seeing the most. Me: the hippos. Sprout, was hoping for lions. Bean said, “possibly giraffes.”

tiger || Christina Rosalie

It’s not something I ever did as a child—curling up with my parents in bed. The closest thing to it was curling up with my dad on the wide arm of his big brown La-Z-Boy.

But it’s something that feels completely intuitive and animal, to nose in next to each other, all warm and soft and still only half-here and half in the fantastical blurry almost-nowhere place of dreams. And it’s something I love, maybe it’s the thing I love the most about being a mother: this dozy time with them under the covers next to me, when they’re still in their pajamas, their hair all mussed and sweet smelling.

Sprout always tucks his hand into the nook of my neck, and Bean often ends up, propped on an elbow, telling me about something or other with a still-dreamy, faraway look on his face.

The porcupines know what this is like: to doze together, and to dream. The hippos too, know how it matters to be near in rest, as they spend their time underwater breathing only occasionally, first one, and then the other; taking long slow breaths before drawing their heads back under the surface to doze, one upon the other’s haunches, lulled by the lapping blue water of dreams.  

* * *
This is what being a mother teaches me again and again. That we are animal first, then human. with spirits bigger than our skin and breath and bones, this truth humbles me again and again.

flamingo || Christina Rosalie

As the shower thrums, we hear T start to sing, “Oh we’re going to the zooooo…” and we burst into simultaneous giggles, and then join in, singing all together a slapstick, made-up song. Then there were socks, and jeans, and cinnamon rolls bought from one of our favorite bakeries the night before, and coffee, and then more coffee in to-go mugs, and a box of snacks, and hats and rain gear and then we were off.

And if I can pass along anything about going to the zoo with young kids it would be this: go at the end of the summer season. Go in the autumn on a somewhat rainy day. Go with snacks, and warm clothes and zero expectations, except to be amazed.

elephant || Christina Rosalie

We had the zoo to ourselves, almost. We rode the monorail, and saw every single animal in the zoo, and had all the time in the world to feed the nectar drinking parrots, and pet the sting rays, and watch the tigers get fed, and stand in baffled delight as the elephant made a bee-line for us and then picked up a trunk full of dirt and hurled it directly at us, flapping her huge ears, before trundling off.

We had enough time to eat lunch, and let the boys run everywhere they wanted to run, and then ride, side by side in an extra-wide push-cart. And because it was the end of the season, the carnival rides were all closed, save for the bumper cars, which were free, and Sprout’s face was worth a million bucks when he figured out that he could press down the accelerator pedal and actually drive.

And the truth of it all is that I’m not sure about zoos. I’m not sure about the way it feels to stand there, watching on one side of the glass, while the small world that exists on the other is terribly finite. But I also know, that these creatures are the captive evidence of some far greater, wild—and also dwindling--proof: the world is rife with such extravagant, vital, irrational beauty.

hippo || Christina Rosalie

That there are hippos, big and unwieldy, with nearly waterproof hides, and self-sealing nostrils. That “jackalopes” exist at all. That porcupines sleep, despite their quills, one piled atop the next, breathing in synch, sharing porcupine dreams. That giraffes must stoop, legs spread like precarious A-frames to eat the tender grass. That the primates are so like us, eyebrows moving up and down in curiosity or disapproval as they watch us watch them from beyond the wire mesh or glass. And that intolerance is something that is exclusively and terribly human—borne of some feverish desire to draw lines, to exclude, to possess.

But before that, beyond that, we are animal first. And if going to the zoo can anything beyond simply standing in wonderment, I hope that it is this. A reminder of our place among the creates of this earth, and that our work, as brave and tender and terrible humans, is to love, to care for, and to dream.

Life As It's Happening: by Christina Rosalie

You can hear it: the way summer is ending. The crickets know. And also, the air is cooler at night, and we close the windows part-way now, and I wear soft t-shirts to bed and wake, my hair mussed, my head full of dreams.

September is soon, and when the weekends come, we try to soak up all the goodness that's left of summer. Late bedtimes + ice cream. White wine after dinner. Lots of music on the player. Dresses, still, almost every day.

A few things from around the Web that I've been enjoying:

I AM EVERYDAY. THE ROAD IS HOME THE SLOW WEB

Happy weekend!

The questions he asks by Christina Rosalie

This boy is... sunshine and rain, fragility and wonder, wisdom and ferocity. He is as intense as he was when he was a baby, but that intensity is tempered by learning: he's starting to read, to write, to discover that the world can be recorded thusly, with vowels and consonants dancing together to make words magically arise from the alphabet he's known so long.

+++

In the car driving to school he says, "Mama, what's at the end of the universe?"

"I don't know," I answer, still bumble-headed, with not enough coffee in my veins. "What do you think?"

"Is it just blackness with no air and no dust?" He asks after a little while.

Immediately I imagine such a thing: a vast blackness. "That sounds pretty close," I nod.

And he nods too--I see it in my rear view mirror, but then he says, "But Mommy, what I just don't understand is nothing. I mean, what is nothing?"

Are there words to answer this? If there are, I do not know them and so I shrug. We're passing the blue corner of the lake that we drive by every day. Egrets, a pair of them, gray like metal, swoop like javelins towards the marsh at the edge. The sky is cloudless, the morning already hazy with heat.

We're quite now, our minds both filled with the remarkable density of nothing; its scope and weight, its emptiness and distance.

Then he says, "I have another question Mommy."

I brace for it, smiling a little. On days like this when he stares long out the window on the way to school, his thoughts are a different universe I hardly ever get to visit, and when he lets me in I'm always surprised to find myself a foreigner there, without maps or charts or directions to navigate. "Go on, what is it?" I ask.

"What is the purpose of humans?" his voice pitches up. "I mean, why are we here on this earth at all anyway? What are we for?"

This, before 8a.m. I almost laugh. "That's a question people ask their whole lives, I think," I say tenderly, looking back for his expression in the mirror. And then I add, "What do you think?"

He's quiet for a while, and then he says, "Well maybe we're here to teach the earth how to love."

There are no words, really, for the gratitude I feel, that I am his mama. That this particular teacher has found me, clad in the lanky limbed body of my 7.5 year old son.

"I think you're right," I tell him, and when we pull up to school I kiss him hard and then watch him climb out, his backback nearly dragging, and then run up to the doors of the school, sunshine trailing him. And at the very last minute he turns to me, a huge grin on his face, and then he waves.