When opportunity arrives

My nearly three year old Sprout settles into my arms in a familiar way that I can’t even describe. It is a language we share, between our bodies. Another way of saying LOVE, this thing that we do, folding into each other, his small arms and legs wrapped around my torso, the heft of him against my hip.

We haven’t seen each other all day, and now he reaches up and brushes my bangs out of my eyes and says, “I want to rub noses.” And so we rub noses like seals.

Across the room Bean is drawing on an index card. In another minute he brings it to me. On one side: a red heart with an arrow through it surrounded in blue. On the other, a cheetah with brown spots and a yellow sun.

“You are the cheetah, Mommy,” he explains.

He’s right. I am. I am going thisfast.

T is at the stove stirring tortilla soup. It smells heavenly, and when he looks up to greet me and his smile turns my heart into helium.

Bean shows me the picture he’s draw for T. On the front, a heart that matches mine. On the back, a tall tree with the sun above it.

“Daddy is a tree with big strong roots and he reaches up to the sky and he’s surrounded by the sun. I’m the sun, and Sprout is a lion who plays with you.” He explains happily.

Sun, Tree, Cheetah, Lion. I love how he's captured some small truth about each of us exactly.

+ + +

So. I started a job this week that combines my love of story and creative work, with my superpowers in strategy and social media. I am now the Emerging Media Strategist at a super cool design firm here in Vermont. I’ll be almost full time until I graduate, and then definitely full time after that. It’s a new position, with a lot of culture changing momentum behind it, and I’m surrounded by some of the best and the brightest people imaginable. I'm thrilled.

It is also, of course, a shift for our little family. I had every intention of working once I graduated, but none of us expected the right opportunity would arrive right now. We're making a new roadmap. Finding a part time nanny. Exploring ways to make everything that needs to happen effortlessly and well.

And the truth is, I've always been one of those people who loves to work; who wants to be full time, full on, engaged, motivated, connecting, moving and shaking things up. And when n I think about what they’re getting, my two boys, by having a mama who sparkles when she talks about the creative, awesome work she does… I know it’s the just right opportunity to do this now.

And of course, I’ll be blogging about the process pretty regularly here: about the choreography of equipoise—of making time for the things that count, and doing them. And I'm curious about your stories...

I want to year more about your experiences navigating work and parenthood in whatever context you navigate that. What do you love? What makes your heart ache? What are your truest insights?

Also… PART 2 of the CREATIVE PROCESS post is coming up on Friday. And a post very soon about my 33 before 33 list progress. Also expect some news and sparkle and possibly even a love letter on my birthday. GRIN.

Slowly, softly, the new year arrived here:

I’ve been wanting so very much to show up here and tell you things, but with the new year came a fever—the kind I remember having as a little girl, and all I was able to do was curl under thick down covers and sleep.

It’s not something I make time for readily: resting deeply, and I think my body knows this. I think it staged a mutiny just as soon as my very last project for the semester was finished and I crashed hard: first a chest cold, then a brief respite right over Christmas at to ring in the new year, followed by a fever that when it broke, left me feeling like a knobby kneed colt, my limbs somehow new and unfamiliar as I woke from a day of sleeping. I felt unbearably grateful to find my hands again, my arms, my kneecaps, scapula, ribs. What a glorious blessing to arrive with these fragile lungs still intact to suck in the cold air; with eyes to watch the birds lift and dive from branch to feeder; with fingers to type these words!

And so I woke, sipped tea, and wrote in my notebook 12 things to manifest in 2012 and a word to true towards, my own inner north.

FLOURISH

I’d been thinking of EASE, and VITALITY, and AFFLUENCE, and about the way those words called to mind a certain blooming of soul and career and creative work that I want to dream real this year, and then flourish found me, somewhere between dreaming and awake, while the puppy was on the bed, and the boys too, and it felt so right and true that I laughed.

Flourish (v.) 1. to grow or develop in a healthy or vigorous way; thrive 2. to develop rapidly and successfully; to achieve success; prosper 3. to be in a state of activity or production 4. to reach a height of development or influence.

For 2010 I chose action; for 2011, fruition, and each word speaks more truth about its year than I could have ever imagined.

Big things came to fruition in 2011. I wrote my first book, completed my fourth semester of graduate school, got a dog, made incredible + soulful creative connections, watched my six year old become a first grader and my two year old become a talking, singing, dancing boy.

And now to flourish in this new life I’ve dreamed possible: doing work that I love as a writer, an artist, and as a social media strategist.

I haven’t shared as much here as I intended about my journey through graduate school, or about my growing love for social media strategy, and the way this field combines storytelling and conversation. It’s been so intense and full velocity and transformative in ways I’m only now able to put my finger on. It has reshaped my view, reframed my capacities, and honed my passions. It’s been pretty cool, really, and I’d like to share more here about that process this winter and spring as I finish up my thesis, and about the process of being a mother while also doing these things.

This is something I’m becoming increasingly aware of, how this truth, more than any other thing, is my trumpeters call, my purpose, my passion. To tell you this: you can do what you want.

Choosing is a myth. Being only one thing or only another isn’t a requirement. And manifesting what you long for has everything to do with finding your true velocity: your right tempo at the borderline between self and world; between mamahood and career; between soul and body.

I don’t always get the tempo right; and there are many days when I’m reminded once again that I’ll always be a novice at my life: new to the curveballs, the passions, the possibilities that come my way. But I’m joyfully committed to the process nonetheless. And that, my friends, is my way of way of telling you: I have big plans for 2012. New offerings, new directions and new adventures. And I can't wait to share them!

xo, Christina Rosalie

Five minutes seen + heard, and a prayer:

I am in Rite Aid buying C batteries and a 3-pack of scotch tape, and I pause in the isle of match box cars, considering a pair of matching red and yellow ones to stick in the boy’s advent calendar for tomorrow, and there he is. Towheaded, not quite waist high, in a blue action hero polyester jacket and jeans with holes in the knees. His mother is rushing past, yelling in a hoarse distracted voice for him not to stop. But he does, and she doesn’t, and soon she’s out of sight around the corner at the pharmacy. “Hello,” I say, as the boy looks up at me. “Do you like matchbox cars too?” He nods. “Yeah,” he says, fingers running lightly over a blue and white race car.

I sort of hesitate there until I hear his mother. She’s walking backwards, still talking with the pharmacy clerk, but at least she’s moving towards her son like a reluctant magnet, and so I go on my way in search of the batteries I’ve come for.

I can’t help but hear her say,

“But Gage always fills four, and lets the prescription roll over to the next month.” “Well I’m not Gage,” says the pharmacy clerk.

The woman is wearing dirty pink sweatpants. Her hair is pulled back into a disheveled ponytail that matches my own on many too-busy days. Her face is ashy. She has a bronchial cough. She’s holding cigarettes in one hand, her cell phone in the other.

I walk on, ask a boy with barley enough facial hair to warrant his attempt at a beard where the batteries are, and then make my way to the register.

And then I see her.

“Noah Jeffery!” She is yelling in a tone that sounds more angry than anxious though I know what she must feel.

She moves down the isle quickly, and then reappears soon after, biting her nails, quiet now, looking. She walks up and down the front of the isles past the displays of stocking sized bottles of wine, and Russell Stover chocolates, and fake poinsettia plants. Then she goes out of the store and I hear her calling into the night. “Noah! Noah!”

I wait. A new register opens up. It’s the boy with the barely beard. I say, “There is a woman who has just lost her child in your store, is there anything you can do to help?”

He looks at me and says “Oh.” And then, “Debit or credit?”

As I run my card I say, “I’m a mom, I get it. Can you make sure no little boy walks out of your store. I just saw him in the toy isle.”

He gives me the vaguest of smiles, the slightest of nods as though I might be asking him to feed his cat bonbons. Like nothing I am saying computes even remotely with the gravity of the situation. The woman dashes back in even more frantically, still empty handed.

I linger as long as I can.

I do a sweep of the store. But with my paid-for merchandize in a sack it feels like contraband walking back through the isles. I do not see him. I do not see her.

Maybe they’ve found each other, I tell myself hopefully.

Still I plead: “Really, there is a little boy who got lost in your store. Please watch the door.”

And then reluctantly I go, looking up and down the street, and into the parking lot, where what must be her car stands with all it’s doors wide open, left abruptly when she didn’t find him there. It’s an old Chevy, the dents in the hood glint in the lamplight.

And this is what I pray will happen, despite the seemingly obvious odds: That when she finds him she will wrap him in her arms, that there will be soft voices and tender kisses and hands held and cheeks pressed close to cheeks.

How to fall in love with your life: the wisdom of little boys

Bean is watching my every subtle move. We are in the middle of a game of “alligator” and Sprout, perched on the couch cushions above us launches himself suddenly through the air, chubby thighs bare, and lands between his brother and me, straddling my chest, laughter erupting.

Alligator is a game that Bean invented. It requires certain might and restraint and all the physicality that little boys crave. The rules are simple: I catch him and wrap in my arms and legs, my fierce alligator jaws devouring his lithe little body, and then I hold him tight regardless of any plea, or request, or peel of giggles as he tries to wriggle free.

Sometimes I follow the rules. I am a fierce and steadfast gator, remaining unswayed until just exactly the right moment when the wiry-mulled little boy I’ve trapped is clever enough to outwit me, or strong enough to slip between clenched biceps. Other times I add a twist: I pretend to be asleep and snore, and he slips out easily, much to his delight and my pretend chagrin. And then there are the times, when it takes everything I have not do not to devour him whole: soft cheeks and sandy hair that smells like honey and milk.

Today he’s already made his first escape, and has immediately clambered on top of my ribcage for more. His weight familiar. I’ve always carried him; always held the heft of him close; always been the cradle for his small knees and elbows and belly. And thisI think, is part of what I do that makes it possible to sustain this full velocity life. Of doing the work of my heart in all the ways that I must: writer and mama, strategist and artist, graduate student and runner, all in unequal measures as the day demands. No matter what the day holds, it will always finds us like this, limbs colliding in this certain and unequivocal choreography of love.

I watch him watch me, imagining what he must think of me. My own childhood was far less physical. There was no puppy piling, no running through the house, no yelling. I remember often being told to be quite, to find the boundaries of my ebullient self and rein them in. I praised for my intellect, never for my ability to make people laugh; and other than sitting on my father’s lap to listen to a book read aloud, or hugging my parent’s goodnight, or holding hands when walking along a busy street, love was never spelled limb against limb, twirling in giddiness, kissing like blowfish, or howling like the pack of wild hyaenas always on the loose and restless in my soul.

Which is why his answer delights me deeply when I ask:

“If you were to describe me to someone who has never met me, what would you tell them?”

He tilts his head to the side and looks at my face.

And then he says, “That you’re strong…. that you’re funny*….and that you stay up late.”

Then he adds, “And that you wrestle with me.” As if this is the most important thing of all.

It’s such a gift to catch the tiniest of glimpses into how he sees me. It’s a gift, always, when you can get a glimpse of how anyone sees you. It broadens your view of yourself; increases your imagination of what you think is possible, and makes you lean into your potential differently. Give yourself this gift today: go ask someone how they would describe you to a stranger. Bask in their reply.

xoxo! Me.

*FUNNY made the list! Funny. You have no idea how over the moon that makes me.

No one prepared me for this: The end of my baby's babyhood

He's out in the sandbox, sunlight falling across his cheeks, and I am at the table writing. Through the window I watch him wipe his eye; watch as he rubs sand into his forever long eyelashes. He rubs it again, this time like I have taught him-—not with his sandy fingers, but with the sleeve of his jacket, a hand-me-down his brother wore at three and a half. The sand still clings.

“MAMA!” he yells, eyes close, face upturned. “MAMA!”

I run out in bare feet across the cold November grass, to cup his soft warm cheeks in my hand and brush the sand from his eyes.

“Thank you Mama.” He says, this small exclamation of gratitude something secondary to his nature. He grins as I kiss face, and returns happily to playing. I stand there for a minute, then go back indoors where the maple floors are warm and golden with slanting sun, and my work awaits.

This is the boy/baby who as of Sunday no longer sleeps in a crib. He’s been climbing out for months, agile and sure footed. He’s been swinging with the ease of a gymnast over the railing, in and out, the crib growing less and less sturdy with every vault, and finally I made the decision to put it away.

I didn't expect that he would be terribly sad.

“I’m still da baby!” he wailed that night, sitting on the potty, his face in his hands.

The next night he said, “My new bed is so cozy. The crib went bye bye. I'm big. ” (Yes, he said cozy.)

And just like that, I can feel the way things are ending. His babyhood. And with it an entire span of time where motherhood was straightforward and consuming. Where my physical presence could solve nearly anything; and a kiss could most likely solve the rest.

Now there is separation. There is the complex terrain of emotion. There is getting to know this person he is becoming, beaming-faced, hilarious, stubborn.

Neither of us are quite ready for the way things are inevitably shifting. At the dinner table he's taken to crawling into my lap, wanting to be close to me, wrecking havoc with my dinner plate. Some nights I'm all patience and games: "Here comes a bite for the hyena, the lion, the hippo." Other nights, like tonight, I'm worn thin by the way he squirms, his strong little body knocking me off kilter. But when I set him firmly back in his chair he begins to pout and then cry.

And I know the years to come will pass just like he counts now: “One, two, three, four, five, eleven, eighteen.”

It’s not something I expected or even considered: That it would feel this way to be here, at the other side of babyhood: Bittersweet and uncertain. He’s just shy of being done with diapers, and with that, he’ll be all kid, hair in his eyes, doing tricks on his bike, swinging ling a monkey from his bunk bed frame.

The world narrows so much when you’re in the thick of mothering in the first years—-when your kids are small, and then suddenly the aperture shifts, and they're chest high and learning to read.

How to do this gracefully? This part where I try to stop calling my baby “my baby?”

On motherhood and messes, creative process and apple pie:

Today there is rain and the final splendor of leaves the color of the summer sun, sumacs flutter with fronds of flame, the poplars are already bare. There is wood for stacking, bulbs to be put into the damp, still-soft ground, and the last of autumn's apples for picking: small and hard, with thick skins and the sweetest nearly wild fruit, perfect for pies and apple butter.

Yesterday I made a pie with the boys: each one of them armed with a pairing knife; cutting the slices with gusto and irregularity. There simply wasn’t anything else to do, even though, like every other day, there always is.

Rain was falling and I took one look at the way they were spinning around the kitchen, after having arrived home from their various destinations and I could tell: things would meltdown all too soon if I kept on writing, hunching over my laptop at the counter like some long-legged bird. And so, apple pie.

So we set to work: the boys cutting up apples while I stirred the sugar and butter and spices in a pan. I’m always a little surprised and terribly pleased by how earnest they are in the kitchen! How they just want to be helpful, and how, given real tools and real responsibility, they both are. They formed a team almost immediately, Bean cutting the apples into manageable wedges, and then Sprout following through, chopping each into as many small pieces as he could, and tasting nearly every one.

I let them lick out the bowl of course. And later, when the pie was ready after dinner, we ate it warm, in bowls with a little heavy cream the way my father always used to.

This is part of it: each night as I gather Sprout year old to my chest in the dark, as we sit in the rocking chair in the room he shares with his brother, as I gather his small solid body close and press my nose into his sweet hair, he says, “I want Nonna.”

The first time he said this, I felt my heart hit my ribs, heat spreading across my cheeks with the anguish of this small betrayal.

But what I have begun to understand in the process of making this work, this book, this life, is how to inhale the ache and intensity of these moments, bitter-sweet, and then to release it on the exhale, and say yes to all of it.

To realize: yes, he loves his Nonna. How lucky are we all that this is the arrangement. That he has this tribe of love, and I do. That this work I am doing is possible.

And so I kiss his warm forehead and say, “You’ll see her again tomorrow, my love," and he burrows into my chest and hums along as I sing "Speed Bonny Boat" in the dark.

I’m telling you this because all of this is part of the process. This is the real, messy, frustrating, bittersweet stuff of being a mother and a pioneer/artist/writer/creator. And it is also absolutely the only way I would want things to be. This duality. This love. This creative life.

There are days I don’t see my boys until 4 in the afternoon or sometimes 5, and there are days that even when I’m here, I’m preoccupied with the work I’m in the midst of, and I sit in the middle of the stirring living room, in the middle of the ruckus, writing while they build marble towers or ride their plasma cars around like hellions. And there are days like yesterday, when the pieces all come together: apple pie, thesis abstracts, client deliverables, tickles, brown sugar and cinnamon licked off of fingers. And for the hundred-thousandth time I think to myself, Whatever way, this life is the only life I want.

Tell me, how many of you navigate this tenuous line? What is it like for you?

Surviving Summer: An In-Progress List Of Little-Boy Awesomeness

In the process of perfecting the art of moon walking, I'm also becoming increasingly adept at wrangling and loving and wrestling little boys. I'm starting to understand that this is a part of my art. This almost-balance, this in-motion gesture of my life towards and away from them in the very same instant. This push-pull, this glorious mess and abundance of giggles, this makes my creative work what it is. Here it is, friends, an in-progress list of little boy awesomeness: +++

* Mud is meant to be played in. Let them. Let the laundry pile up. No one will remember clean laundry; mud monsters on the other hand: totally epic.

* Sink play: faucet on low; funnels, teapots, turkey basters, measuring cups. Science happens here: sink and float, cause and effect. Also, dinner can get pulled together around them. Just remember put towels down first.

* Extra bubbles in the bathtub. So what if their hair doesn’t ever get perfectly clean? There’s always next time.

* Make soup. Give them sharp implements and let them help chop. A 2 yr. old can do a number on zucchini with a butter knife. Also: they’re more careful than you’d think, and growing boys who turn into men who can cook = awesome.

* New couches are overrated. Keep the one you have. Buy throw pillows. Let them build forts. Cardboard boxes are also amazing.

* Chocolate ice cream cones. Yes, let it melt everywhere. If you think ahead, bring wipes. If not, extra napkins + a little water works wonders.

* Let them climb trees. The rules: don’t climb up where you can’t get down yourself; only hold onto branches bigger than your wrist; use both hands.

* Keep cardboard boxes, toilet paper tubes, etc. Supply scissors, duct tape, markers. Instant rocket ship, submarine, motor boat, race car.

* Take a walk with big sticks. Poke things. Draw in the dirt. They wont poke their eyes out. Sword fighting may occur. The only rule: no running.

* Say yes. Keep a marble jar. Point out the positives. Move on.

+++ Now I want to hear your favorite life with kids discoveries. What are your standbys for keeping small people happy while achieving a busy life. Ready, set, go!

These are some moments: full velocity, full of mess, full of grace

It's been a wild tumble of spring-turning-into-summer around here. I'm in the thick of a full, full summer semester. The deadline for my manuscript is looming in early fall. Everything is converging in a miraculous, glorious mess. There isn't enough time. I'm exploding with ideas. The Kickstarter rewards are still waiting for finishing touches that require more than a handful of free moments to complete.

Bean graduated from kindergarten last Friday afternoon with scratched knees, hair in his eyes, and big beautiful grins. Sprout is potty training and asking "why?" and exploring just how much dramatic effect a super cute pouty face can have on us. Our washing machine broke (I overloaded it.) I never manage to put all the laundry away: it sits on the back of the couch, or in laundry baskets and the boys have grown used to rummaging through them for fresh underwear or unmatched socks.

We're all doing the best we can: full velocity, full time. It's an epic, glorious, silly, catastrophic choreography every single day. Some days we barely make it out of the house. Yesterday a tractor trailer flipped on the our road just before where I needed to turn: it set me back by an hour; made me late to a meeting; and yet those long moments waiting in traffic with windows down were moments of gratitude and grace.

Morning comes early now: 4:30 a.m. and the birds are calling. A salt and pepper chicken has gotten broody. We're letting her sit on a nest full of eggs. Beside the coop another poplar fell last week. This spring has been all about thunderstorms and floods and windstorms that keep tearing things up. Our driveway is a mess of ruts. The garden is just barely dug. Dandelions are going to seed everywhere. Dishes wait in the sink.

Before night falls we walk out together to the chicken coop, T and I. Twilight hums with crickets, frogs, fireflies. The sky is already gathering stars. We wrap our arms around each other's waists: this is the first time, close, skin to skin all day. We kiss, we close the coop, we walk back, stumbling over the army of muddy boots, flip flops, sneakers tossed off at the tile by the front door. Later, as I sit at the kitchen table with the windows open, I hear our neighbor banging on a metal garbage can lid: bears, most likely. Last night, it was a luna moth that came, with enormous pale green wings, beating at the screens.

So this is life, now, this month. These are are my moments.

What are yours?

Being Six: or how we're all learning to focus on the positives

We decided to start using a marble jar a few weeks ago after a series of ruckus days where everything seemed to be “No!” and “Stop!” and “Don’t do that!” Both T and I were exhausted by the constant reprimanding and redirection, and both of us agreed we needed to do a better job of pointing out the positives; of noticing the small, awesome, kind things Bean does daily—and of pointing those things out to him and affirming them.

Being six is hard, I think. It’s hard for me as Bean’s mama, for T, for Sprout, and maybe hardest of all for Bean.

Being six means being at the cusp between being small, and maybe not being quiet so small any more. It means being on the verge: of ending kindergarten, but not quite starting first grade. It means utter pure distraction one moment (he has this habit of pulling his socks off wherever he is and never ever remembering where he left them) and then absolute focus the next (he’ll draw for an hour now, his pictures the detailed blueprints of a future engineer.)

Being six means understanding that the world might not be all good: overhearing the news, wide eyed in the car; it means dreaming of Tsunamis, of thunder, of tornados, of things that can come out of closets at night. It means unwaveringly believing in fairies and gnomes and in one very special plastic alligator named Honey Honey who mysteriously eats the food he leaves on a small china plate for her before bed.

And most importantly, being six means trying to learn how to be in charge of yourself—-which often looks like trying to be in charge of everyone else. Especially his brother. And somehow the marble jar shifted the focus away from the struggle to the good stuff.

Keeping a marble jar has made us more aware of all the ways that he is helpful and thoughtful and self-reliant, and it makes him more aware of how he can grow those behaviors. Less frustration, more easy moments. Less negotiating, more helping. Less yelling, more hugging between brothers.

His first goal was easy: ten marbles would result in a family trip for ice cream cones. The next goal, harder: twenty marbles would be an indication that he’d be ready and responsible and caring enough to take care of his very own fish. And he did it. We did it. We all noticed and helped and laughed and shared.

“This is the very best day of my life!” Bean said as he walked through our front door carrying the small plastic container with a carefully selected Beta fish inside.

Meet Cookie S. Fish (short for Cookie Sandwich Fish). The very newest member of our family.

This boy I love

Oh yes. Some serious silliness with my big boy. I love how this series captures us..

Trying to describe him now defies my ability to avoid cliches: every time I take the minute to look at him, really look at him, I'm stunned by the fact that he's six. That he is my first baby, and now he is this lanky boy, all gestures and adverbs, storm and sunshine, drama and antics.

He came into my room this afternoon in his looking for socks and his little knobby needs just about made me melt: the way they tilt in toward's each other just a little; the way one knee has a scab from when he fell off his bike last week. His hair was damp from playing outdoors in the rain, his eyes huge as always seemed to fill up his whole face.

It's hard to explain to someone who doesn't have children what it's like to fall in love with your child over and over again, even when they annoy the crap out of you, as Bean routinely does. He's pushy and edgy and impatient; he's convinced he's at the very center of everyone's world; he has a hundred questions nearly ever minute; he is inordinately invested in being right. Yet every single day when I see him after I've been gone his presence fills me with a brightness.

He wraps his thin arms around my waist: "let's play alligator, Mama!" he begs.

Alligator, like almost every other game he invents, means tussling and wrestling on the floor.

And though I'm often preoccupied when I arrive, I oblige, wrapping my arms around his wriggling little torso, chomping the air with enormous imaginary teeth. And just like that, I'm in it. In this moment, in this love.

Utter failings and exquisite truths

It hit me today while I was running that I don’t tell stories here nearly as much as I used to and I miss it, and I can see that you must miss it because the comments dwindle when I post sporadically and tersely with just a few scraps of observation from my day. And the truth is, your comments mean the world to me: not their quantity so much as their depth. I love what you have to say. I love how you see your worlds, and how you see mine. And the truth is, my readers here have saved my life many times over, and I mean that with no hyperbole at all.
When I started this blog six years ago it was my only creative outlet: I’d just move to a new town with my husband and six month old Bean, and I had no friends living within five hundred miles of me, not to mention no friends anywhere with children. This blog was my lifeline. I laugh now when I tell people, but I truly got at least 90% of all my parenting advice for raising Bean from the people who shared their lives through their blogs, and who shared my life by commenting here.
And gradually, I found my voice here, through telling stories about my kids, my muddy dirt roads, my heart full of wanderlust, my hunger for doing more and seeing more and being more; because you were listening.
I dreamed the idea for my book here; I shared the news of Sprout’s arrival here; I spilled the messiness and heartache of tenuous times here and man, I am so, so grateful for the inspiration, insight, and pure awesome that you bring to my life.
All this to say: I want to share more here, not less. I want to keep having this space be a place that I go to find my center: to find my words and hear your words. And it’s sort of slipped off the map a little in the past months because holy hell, grad school is no small thing.

I’m in the midst of cool project for school this week; an interactive documentary, to be exact. (Though if you ask me what an interactive documentary is, I’ll have to say wait and see—because I haven’t found a single example of what it is I’m trying to do. It requires action script code, and video editing, and interviewing, and graphic design and interaction design and animation. See?)
At it’s core is a series of video interviews with local artists who are all utterly brilliant, and intimidating, and awesome. They’re the kind of people I want as mentors. The kind of artists who have made it big time in their fields. The kind of artists who make me proud and terrified to call myself an artist.
I can’t wait to share it, but it I’ve still got a couple of weeks of work; and a lot of learning to do.
Right now it’s pushing me beyond every single boundary I have.
I’m interviewing people I never met; I’m designing a browser interface that accounts for emergent interactions; I’m learning to make lines do what I want them to do in Illustrator. This all but petrifies me.
But mostly the interviewing people I haven’t met part.
I’m good once I get to know someone, but those first awkward moments are a heat flash away from pure agony. Add to that the fact that I’m shooting video (a thing I am learning to do on the fly, as I go) and oh lord. Deep breaths.
Today I interviewed Maura Campbell who is fierce and fiery and passionate about her craft. My batteries died in my HD Flip just before the end; and then further embarrassment ensued because I couldn’t figure out how to open the damn thing. (Thank god for smart phones. I had the how-to googled in under a minute.)
Really. This happened.
And even though I was mortified, I was thrilled, because here’s the thing: I knew, even in the moment, that the battery malfunction I was having was just another way of falling down.
And learning to fall is necessary in learning to fly, or leap, or risk anything. Because it’s the people fall and recover that become rockstars and superheroes. It’s the ones who fall and get up time and again that discover how to make their dreams fly.
And if there’s one thing that has really gelled for me this winter it’s been this:
Falling is ok. Failing is part of the process. Doing both with frightening frequency means I’m pushing beyond my comfort zones, and that I’m learning. Big time.
Also that bravery doesn’t come from waiting for the perfect opportunity or knowing everything in advance, or getting it right the first time. Bravery comes from googling how the hell to open your video camera and replace batteries in the middle of an interview, and then recovering composure.

---

And at the end of the interview when we were standing in her paper strewn office, and she was telling me about how writing is requires being utterly selfish with one’s time, I asked her the question I always want to ask every creative person that I come into contact with: How do you balance this with the rest of your life? How do you do this and children?
And in not so few words her answer was this: you do the only thing that you can. When her kids were small, she wrote, fervently, in the center of the living room as her kids, four of them, twirled around her. When they were bigger, she retreated to her bedroom, leaving them with the warning: interrupt only with blood, or fire.
And that’s what makes her brilliant.
It has nothing to do with balance, with being a ‘perfect’ mother, or with having the right time and the right place to begin. It has to do simply with persisting. . With daring to dive every day towards what you love to do most. Always.
And it was such an awesome interview because I got to be reminded of that.

---

My favorite part

I come home after they're asleep; after a day filled like honey in a comb, the hours oozing from between the cracks of overlapping schedules, workloads, deadlines, demands, and now this sweetness. This, at their bedsides in the dark, listening to their breathing: soft and even.

Sprout still sleeps like a baby: his arms thrown up above his head, pacifier in his mouth, legs askew. His hair is almost damp and soft, so soft; his fingers curled into his palms.

Bean sleeps with long legs pulled up to his chest, on his side, curled with a hand under his cheek. He's kicked his covers off the way he always does, and I replace them, tugging them softly up around his chin.

It's this that is my favorite part: the way the day ends and I have them.

That they're mine; these two boys.

And even when I'm gone pulling long hours and making dreams come true, they're ready whenever I return to yell "Mommy!" as I come through the door; to throw themselves at my waist, sticky-handed and too loud, the house a tumult of their messes.

(Being their mother is one of the best things in the world.)

What I see when I blink

Last night I came home late from working on a collaborative project and slid beneath the covers to find the embering heat of my guy, dreaming. Now the morning is here again, too soon, jostling, clattering, and filled to the brim. I blink, and when close my eyes I see my life in snapshots, like sunspots, the minutes compressed to just these instances, mid air, mid action. My big boy with a voice that sounds like the bark of a dog who woke up at 3 am feeling like he couldn’t breath.

Blink.

The little one in a pointy Hannah Anderson hoodie and his brother’s Sambas running around with jam on his face and a paci in his mouth.

Blink.

Squirrels that have figured out how to leap from a stack of broken wooden lawn chairs through the gravity of air to the bird feeder, where they twirl with fat furry bellies exposed, eating seed with their dainty little paws.

Blink.

The startled chickadees who fly down to find these furry beasts their tails whirring, their cheeks chock full.

Blink.

Out the window the icicles taller than me; the sky bluer than the ocean; the clouds gathering over the mountain tops like the breath of dragons; the floor that has not been vacuumed in days.

Blink.

Everywhere I turn there are things: to be done, held, watched, waited for, unraveled, sorted, replied to, invented. This is life, mid motion, captured.

Blink.

More glimpses of winter moments captured here.

Flight + Fruition

It was fascinating to start the new year in the sky. To watch the curve of the earth appear below, as the plane lifted off, at once heavy and weightless as it cut the clouds and traveled upward improbably into the wide expanse of atmosphere above the earth.

It’s a wonder to feel the way anything is possible this very instant, always and again.

Right now.

Today.

In this new year.

I left before dawn, after the requisite security line removal of belt and shoes, jackets, laptop and toiletries laid bare for the world to see, and then no coffee because the kiosk was closed, I was off. The sky was ink, the runway lit by lamplight, the cabin dark.

I held my breath: waiting for the feeling of air catching under the wings. I used to love airports. They meant adventure and freedom: Italy, Germany, New York, Puerto Rico. I loved the bustle, and energy I felt at airports, the way everyone was coming and going, the expectation and possibility that was almost palpable in the air. But now the world of airports is defined by orange alerts and leaving. Leaving my two sweet boys and T, who woke with me and carried my bags to the door and kissed me softly on the lips before I left for a week to visit my sister and her new sweet little baby boy.

In the air the earth grows small and spectacular at once. The land stretches out in an intricate pattern of rivers and mountain ranges overlayed with the persistent geometry of human life: grids of roads and fields and buildings that look, before dawn like twinkling circuit boards; light bordered by dark, by deserts, by lakes, by the black of pine forests and mountain ranges, white-capped volcanoes rising up above the clouds.

Three flights later I was in Oregon, circling then landing next to a field of grazing sheep. Live oaks, and mossy sycamores; hills steep and rolling under wide West Coast skies. I walk out into the bright afternoon sun disoriented by the time change, and hug my sister who looks beautiful and tired and happy all at once.

It stuns me to realize how I’ve already forgotten how newborn time is alternate to the reality of the rest of the world. How time is defined by the moments of feeding, and the moments of sleep in between. How life exists entirely within the circumference of doing nothing but holding the baby, and doing small things: running the dishwasher, or righting coats on the rack; the world soft and quiet and wrapped in the cocoon of a now that the rest of us forget, caught up in the plummet and pull of a faster pace.

I’ve already forgotten the way this is everything. Small sighs, milk down your shirt, toasted cheese, and the gift that is five consecutive hours of sleep. It’s a time out of time: the moments of falling in love and being split open. It is the beginning of everything.

I sit with my nephew in the crook of my knee and write; body memory returning, time traveling backwards to that newborn time with Sprout, new and warm and dreaming.

I try to explain how this is now and then it’s over, forever.

+++

Last year my word was action.

And it was fulfilled again and again with steps taken and decisions made towards a life more fulfilling, sustainable, and full.

It was an incredible year: T quit his job and found new work that he loves; I went back to school and launched A Field Guide To Now (still holding my breath on this....More (good) news and rewards—finally—to be sent out in February!) and my boys learned to play together: moving through the house in a tornado of action, transforming couch cushions into forts and blocks into castles.

This year my word is fruition.

Fruition (n.) 1) attainment of anything desired; realization; accomplishment: 2) enjoyment, as of something attained or realized. 3) the state of bearing fruit.

Yes.

+++

I loved reading your comments in your last post; loved to feel the force of your intention being put out into the world. I'm so looking forward to what this year brings. To the adventures, the discoveries, the things that will come to fruition.

The best part of my day

Right this very instant slushy rain is falling hard and downstairs, at the kitchen island my boys are playing drums on an array of kitchen implements. They are loud, they are ruckus, they are delighted with themselves. Bean is singing along at the top of his lungs in his thin, sweet, off-tune little voice. Sprout is mostly quiet except for when something is taken from him, and then he hollers as loud as he possibly can. These boys are the sweetness and marrow of my life.

Every morning T wakes up at about 5:30 and when Bean hears him, he comes skittering down the hall to our room and crawls into bed with me while T showers. Often, as the water starts to run, Sprout wakes up and calls, and T brings him to me, and so I doze in magic. One sweet tousled boy head on each side of me. They root around beneath the covers and snuggle in. And I dream, drift, wake, nuzzle in. It’s my favorite part of the day often: these first moments of barely waking with my boys, when we’re all trailing dreams and dozing.

When T is showered, they follow him downstairs for eggs, toast, and frothy milk and I shower alone, drenched with warmth, with the fragrance of soap, with a few moments all to myself.

Then, always, the day begins. Today: gray on gray on gray. Crows make dark silhouettes among the trees. A squirrel knocks snow from the sleeping branches of a spruce. Birds come and go at the feeder; and outside in the snow bank where Bean and I built a fort yesterday afternoon, water drips silently as the snow melts.

Tell me: what is a moment in your day that you spend with the people you love? What's it like?

Also: go watch this.

in the morning

There is golden light this morning and a dozen blue jays, plumage ruffled, in the lilac out the window. The walls are striped with shadows from the window panes, the trees outside, the angles of furniture illumined by the morning sun. I watch the way heat dances; sunlight revealing the shadows of the invisible. Waves of warmth rising, shimmering, lifting from the wood stove, where logs become embers, and across the clear valley ribbons of smoke lift from solitary houses. Above the sky is the color of robin’s eggs: pale, pale blue.

Snow dresses the world in magic when the sun shines. Frost makes fractal whorls on the glass panes of the windows in the garage, and snowflakes, each one spectacular and individual, glint and sparkle across the wide expanse of field where tracks crisscross, revealing other secrets: the paths of squirrels and foxes going at dusk to the stream.

Today the mercury is shy despite the sun, and breath catches sharp in our lungs and rises up in steamy clouds. Today the boys are home. The house is filled with their clatter, laughter, disagreements, and small storms. They leave behind a trail: marbles, blocks, honey, bread crusts, airplanes. They wear at my patience. They fill me with delight. They are, always and again a lesson in living right now. In shifting gears abruptly. In being here. Right here.

Some days it’s not where I want to be. Some days, like today, I feel myself longing for the unremarkable quiet of an empty house. Instead there are sticky fingers and boys still in pajamas. There is spilled cat food, and snow melting in puddles at the door, and boys who want the things that sustain them: attention and stories and be seen.

And so I do. I turn to Sprout who is climbing into the chair beside me, and press my face into his warm head. I get up from the table and carry my empty cup to the sink; gather things to make bread dough. Rinse my hands. Wipe the counters clear.

Together we will knead the bread and then place it in bowls in the sun. It will rise there all morning in the warmth, and then we’ll shape it into loaves, spreading it with cinnamon and sugar. I’ll let them lick their fingers and I’ll turn the oven light on. They’ll press their faces against the oven door and look. They’ll wait for the timer to ring and then eat slices of bread, fluffy and warm with melting butter for snack.

I’ll let this be the present: warm bread and sticky fingers and sun.

push | pull

There is the bittersweet that comes from having things go exactly as they should and then be over; just as that feeling springs from things going exactly opposite to what was planned and all the loose ends that come from such moments of disappointment and disarray. This was our holiday: joy-filled and tense at turns; full of expectations and sparkly lights and glee, and also frustration. Family drama (his, not mine this time.) Stubborn boys. Heaps of snow, chocolate, caramel corn, and candle light. Singing carols. Good wine. Snowboarding for the first time.

And Bean insisting he knows how to do it already—then hurtling down the mountain at a speed that defines the term break neck, only to throw himself to the ground at frightening angles to stop. Twapity, thwack. And then he’d sit there dazed, distracted, and completely clueless as an entire ski school made a zig zag around him, as though he were the outermost pole in a slalom course.

My firstborn is not a child who wants to be taught.

At least not by his mama. And I should have known better—swimming lessons have been a disaster two years running. Ice skating had similarly poor outcome. Still, T and I are lovers of the outdoors; of sports; and of doing them together…and Bean asked, no, begged for a snowboard for Christmas.

The scene was set. A perfect white powder day, the day after Christmas, just the three of us on the mountain. Good tunes in the car on the way up. The promise of hot chocolate. New gear.

But he would only do it his way. For two painstaking runs. And then he wanted to stop.

Because it was hard.

Oh expectations.

I am aware that there is a very salient lesson in all of this. Something about letting go of attachment; about not having expectations; about letting things just be, moment by moment.

But there is another fierce, plucky, determined part of me that doesn’t settle for that all of the time. Carpe diem was not a term derived by someone sitting on their laurels.

And I believe there is something mighty to be said for perseverance. For doing something even though it is hard; maybe because it is hard. Willpower is invaluable as an adult. As is self reliance.

The outcome?

He’s going to take some lessons. End of story. (Even though I'm internally waffling: is he ready? Is he big enough for half day lessons? Does he have the stamina? What if I ruin sports for him forever?)

I’m starting to understand that this parenting thing doesn’t ever get easier. Sure, he can dress himself, and poop without assistance and he can be left unattended to clean up his room and he won’t pull every tissue out of the box while doing so. But the emotional complexity is increasing daily. Control. Compassion. Give. Take. And figers crossed: maybe a couple gifted teachers along the way to smooth the rough edges of our attempts.

How do you decide when to push your kid and when to let them call the shots?

Code switching

It always goes poorly when I fail to make a clean break. When I try to eek out just a little more productivity: finish a paragraph, or a bit of code, while my kids close in, wanting things. “Mommy look! Can I have some crackers Mommy? I’m hungry. When are we having snack?” And it’s as though my boys feel that I’m trying to do something else; as though they have a radar on for when I’m only partway present.

And it’s then the milk spills. TWICE in one sitting. It’s then that they fight over every single thing. Then that the bigger one crashes into the littler one, and the little one comes to me wailing, his mouth full of blood.

It’s then that tears are inevitable—from me, if not from them. [More...]

This moment

At the counter after school. Ramin noodles + scallions in warm broth. Israel Kamakawiwo'ole + his banjo on the stereo. And for a moment we were just there at the counter, the three of us slurping the extra long noodles and giggling and drinking the broth straight from the bowl and I could feel how we were at the eye of every storm that had come or would come: the afternoon ahead of us with its various unravelings and tantrums. But right then, I let myself breathe and unfurl a little into the delicious present...and then I went to get my camera because the stripes and the noodles and the little boy grins were making me want to explode with happiness. Yes.

A snapshot from today:

The light of late autum is gold, gold, gold. It fills our south-west facing dining room all afternoon; honey on the table, honey on the floor, and we’re drawn to it like bees, sitting barefoot, my son drawing while I write. Above the bare branches of the trees, insects swarm; the last warm days a small ellipsis of insect procreation. Out the back door the chickens come, inquisitive, pecky, turning over every crumpled leaf in search of bugs not burrowed down. The shadows fall long, longer, across the valley spreading indigo lace below the trees. Each chicken has a shadow twice her size, imaginary hens on stilts, walking slantwise across the leaf strewn grass.

Sprout is napping and Bean and I are each occupied in our own way. Me: editing. Him: drawing blueprints for gnome houses and prototypes for robotic flying cars.

Suddenly he leaps back from his work table, “AAAAH! Something scary with pinchers just ran behind my desk!” he screams with dramatic flare.

His eyes are genuinely huge, but then he sees me smiling. I cannot hold the laughter back. “Really?” I ask. “Is it going to eat you?”

Now his eyes grow wider. He looks off for a minute into space.

“It cannot eat me.” He concludes hesitantly. “I am bigger than it. I could just…I could just squish it. Right?”

Oh how I love this silly boy of mine.