Where good things happen by Christina Rosalie

All things happen here, where the world ends and the sky begins. Where the sea licks the land, where the gulls lilt and lift into the sky. All things, new, forever, ancient, always originate from this wild state; and there is nothing quite like rock hopping with wild-haired boys. Together we tilted over salt-slick pools. Leaning in. Looking. Cupped our hands full with tiny agates. Watching the surf. Drumming with sea-pummeld sticks against the rocks. Leaping with sure feet. Following, running ahead, stumbling, grinning.
We went to the shore two weekends ago and I brought my big camera and tried to capture what boyhood looks like now. What they are like, strong-muscled, loud, tender, forever tousle-headed, curious.
Nothing, says freedom to me the way the Pacific does as it comes to find the edge of the land, raw, rugged, crashing against cliffs made of lava and granite. Nothing makes my heart lift like a kite, makes me want to turn cartwheels on the beach, makes me run, arms akimbo, laughing.
Here's a glimpse from that weekend. One I want to remember.

The hours become like a dream, the days like liquid one swelling towards the next by Christina Rosalie

The hours become like a dream, the days like liquid one swelling towards the next. The entire summer a standing wave of hours rushing past, riding the blue arc of sun-filled skies from morning until dusk.
Most days, the minute I lie down to sleep the words come. Only then, after I've shut my computer, put my notebook aside, folded sheets, picked up countless legos, library books, paper scraps. Only then, after I've waited for the heat to leave the house and the cool air to find us through the screens and the flung-wide door that opens to the street night passing by. Only then, the stories flutter up like moths.


Only yesterday walking among the roses on my lunch break at work, I realized I completely forgot the anniversary of my father's death this year--remembering only that it was my half birthday, and welcoming the waxy petaled rust colored roses, lush and full of sweetness that T brought.
Still, I've been feeling his presence here in this Pacific Northwest landscape: at the shore where the gulls lilt and lift; among the tall Doug Firs in the woods.
Stories come to mind driving down unfamiliar roads: the way sitting casually in the bucket seat of his old white Ford, sipping coffee from a thermos, he was always compelled to turn down side roads. Or that one time we found the relics and remnants of squatters living in an old mining shaft along some creek in Colorado. Or the time at the beach where the wind pulled at our parkas and we sat, nearly solitary on the wide, wide shore.
We came to Oregon as kids in the summer, and my memory of that time is sun-dappled and inaccurate. I don't remember where we caught the smelt with our bare hands, seals nearly eye to eye with us--only that we did. Nor can I recall the name of the place where the ferns filled the canyon, where moisture hung in the air, only that we stood around in grossed-out awe at the sheer size of the banana slugs. That we ate cheese sandwiches. That we camped--my parents in their camper, and us kids in an adjacent tent--along the coast.
Most days happen now in a rush of hours, and the stories only happen after: between sleep and waking. They happen in that slender gap between now and unconscious; in that groove where memory opens up wide, and the past hurries out dancing as it does.
I haven't found the rhythm yet, for writing these stories, and for so many others.
The first time I was hypothermic. The first time I kissed a red head rodeo rider. The first time I never went to Coney Island, but almost did with a man who worked for Spike Lee. The first time I held my newborn son's head in my palms. The first time I drank mulled wine in Germany, on the street, in the middle of a raw February day in celebration. The first time I had sex, which came long after the first time I felt a certain animal attraction to the opposite sex. The first time I had blisters on my hand from paddling a canoe for ten days in the wild. The first time I left home. The last time I returned.
These are the stories that ride in on the edges of the hours, like leaves caught in the forever whirl and flume of the river we spent time on this weekend.


I'm working full time at a place I love, and the work I do is deeply fulfilling but also entirely consuming. I come home spent, sometimes riding my bike up the hills from where I work to here; other times driving as the sun hits the windows along Hawthorne Street and every single human is lit up with gold.
I come home spent and sink into the present of simply fixing dinner and hearing stories about the day from our summer nanny and the boys. I'm grateful for her in ways I can't even begin to explain. Grateful for the apple bread I find on the counter and the cardboard robot constructions. The trips to the playground and the zoo and the woods. She's leaving soon for Spain, and like everything else, I cannot reconcile the way the time has passed.
The way the summer's ending.
The way the stories fill the edges.
That I'll have a fourth grader. And a kindergartener.
How days the hours rush past filled with an intensity and gratitude. Filled with late summer plums falling to the ground. Filled with bees. Filled with the last of summer's fading roses. Filled with August sunsets, chocolate melting, rose wine chilled and sipped with dinner at the table out back. Filled with sticky-fingered boys who have grown tan from days I didn't ever see them swim in the pool, and hikes I never went on. Filled with the endless library books they both consume, the tantrums, the arguments, the fierce brotherly love, the neighbor's inviting Sprout over to play.
And now, suddenly school's starting next week. The shopping for school supplies. The trying on of clothes, new sneakers, rain gear for autumn, fleece for winter.
Now, here, this.


Summer's over. Summer with it's adventures to a cabin, to waterfalls, to the ocean, to the woods.
This first summer here has been good to us. Filled our bones with sunshine. Kissed our heads. Granted our wishes. All except for more golden hours. More days like these. More time, more time, always more time. For the stories. For the late summer kisses. For hammock time. For work projects. For drinks with friends. For bike rides. For all of this.
This, then was August.
The bird paintings are unfinished--put off in favor of chasing the kids barefoot across the lawn, or reading novels, or obsessing, rather endlessly, though in a good way about about work.
Maybe the rhythm will return with September. Cooler days. Earlier mornings. The inevitable routine of things. Homework. Backpacks. Lunch boxes. But oh, I've loved this rambling, rushing summer.


Tell me about yours friends. Where have you been? What are you reading? What have you loved? W

Happy August! by Christina Rosalie

How is August? How? How do I have a nearly fourth grader who wakes up every morning and sits cross-legged on the couch, shirtless, tan, his hair a bed-head tousle, and reads. How is my baby an almost kindergartener, his body suddenly that of a little boy's, lean-muscled and strong. How is it possible that I live here in this glorious city, in this snug little bungalow. How are these streets that I've begun to love dearly the place I now call home?
Yes, summer is a time of incredulity for me. Almost every year it catches me by surprise. The wonder of summer. Its extroversion. The way the days blur into evenings. The way we disregard bedtimes, and loll about on Saturday mornings kissing. The golden afternoons that find us one after the next like a dream. The air-conditioned days indoors spent working on projects with some of the smartest, coolest people I know. The blue skies. The muddy knees of my boys at the end of the day. The late nights on the back porch with wine as the walnut leaves rustle. All of it happens in such a full-saturation blur, that each day I wake wide-eyed and feel more in love with my life than the day before. Processed with VSCOcam with f2 preset Processed with VSCOcam with f2 presetProcessed with VSCOcam with f2 preset Processed with VSCOcam with hb1 preset

    I know I've been quiet here. Summer seems to make this so. We're so busy being out in the sun-drenched world that there's less time for retrospection and recording. I'm enjoying every minute of it, and also looking forward to the simple routines and rhythms of fall.
Heads up: I'll be doing a summer songbird studio sale at the end of August--featuring the newest set of hand-painted + collaged postcards I'm working on--in response to your demand from the last sale! Do sign up for my newsletter if you haven't, to get first dibs when the sale goes live. I'll be doing this one a little differently than the last one, so stay tuned.


Finally: Some of you still seem to subscribe to my blog via my old My Topography url, which I made the terrible mistake of forgetting to renew. It's now been taken over by spammers and some of you have emailed me that you're getting unexpected content in your feed readers. Please update your RSS feed to christinarosalie.com!


Happy August friends!

What summer looks like around here by Christina Rosalie

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Lots of shirtless boys. Reading fiction. Sipping tea in the morning, still in bed and writing notes for my new book, still a shamble in my head. The arrival of the nanny who's made our summer mornings so much easier. Paper-mache on remnants on the back porch. Picnics on the front steps in the breeze. Time bookended between the beginning and the ending of each work day. Compression + expansion. Deep focus and then a slow unwind as the golden evening light finds us.
How has your summer been, friends? What are some highlights? Some things you're doing to revel in these golden days?

What I remember + what I know by Christina Rosalie

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Processed with VSCOcam with f2 preset I didn’t mean to stop, only, there it is. Life has a way of finding you, amidst your best intentions. I love what this small challenge inspired. A rash of brilliant posts by my friend Amanda; photos to take your breath away my other dear friend Hilary, who always needs to be nudged to document; and a handful of other daily glimpses from friends and readers I don’t know, but feel like I know just the same.
I intended to keep on, but then the weekend came. Weekends have a way of filling up to the gills lately, and after the weekend, a work trip to Texas, planned to be short, but made longer by a cancelled flight and extra night on the way home in Phoenix, Arizona. So there it is, back to back days without a single chance to gather the moments here. To upload the images, or record the observations as they happened, though there are many notes scrawled in my notebook or jotted in the notes app on my phone. A chronology of circumstance. A record of the small things, and the big. Sentences that happened only in fits and starts, but never here.
What I remember is the heat in Texas and the rain that turned the sky to black. The century plants and cactuses that reminded me of my earliest years in Los Angeles. The heat of a blue sky filling with thunderheads, while down below we ate ate eggplant fries, and truffle oil reveled eggs, and catfish tacos.
Then non-time of the airport, reading Inc. cover to cover, and Elle, and also Fast Company, and feeling the ways something shifts in my brain when I have long stretches just to read and think. Ideas have a way of magnetizing then, like finding like; fragments converging.
What I remember is coming back so tired in the morning that after a cup of hot tea and checking email I took a nap, wakening hours later and not knowing immediately where the edges of dream ended and reality began. There, in bed with the dog curled by my hip, I let myself float in a way I rarely get to: between sleep and dreaming where thoughts are buoyant and things have wings.
There, and also in every waking instant, I’ve been thinking now about my new book. There are two actually. The ideas bookend each other. The narratives make a dialog, an equation, an equilibrium. I'm curious if I can pull it off.
What I remember is the sweetness of my boy’s when they came home from camp. Their hailstorm of yells and shouts finding me there at the doorway at the end of the day. Their arms around my neck, their kisses on my sounders, cheeks. Their fingers in my hair, and even still with them under foot, a different kind of kiss. Stirring, sweeter, finding T’s heat mirroring my own.
Then the weekend, dawning with rain. Making a raspberry crumble to share at dinner with friends. The biggest rainbow we’ve seen. The boys shouts. The first firecrackers for the Fourth echoing down the street. Twilight. Then Sunday morning bacon and good coffee. Painting the guest bedroom a fresh white. Baked chicken and mashed potatoes on the new walnut outdoor table T made by hand. White wine in handblown glasses. Watching the walnut leaves blow in the wind.
What I remember is this: to show up and to try is all it takes. To show up with the intention always is the start. I begin. I keep going. I go until I find my way. That, in the end, is all I know.
Now there is a reckless, rag tag folder now of drafts in Scrivner. It’s raw and new, but no matter. The beginning is here.
This is how it happens, friends. A book, or anything else. Any body of work, any essay, or dream, or plan begins with showing up; with training the mind to bow at the simple task of arrival, noticing the world.   #the5x5xchallenge

I am always a fiction, a mosaic, a memory. We all are. by Christina Rosalie

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I've been thinking about the ways that we see ourselves and the ways that we do not; and also about the ways other people see us ---only in fragments.
We are continually like Marcel's nude: version of ourselves, always in construction in whatever instant we are in.
We never arrive in each new moment. We are never the same. There is no end point, no certainty. We are, simply, always becoming.
Today I am a bitten lip, a ruckus laugh, a tilt of shoulder. I am the clutch of fingers, the clench of jaw. I am whatever geometry of flesh and wonder, breath and instinct, fervor and blood you see me as.
I am that instant standing in the street, stirring a smile in reaction, skirt twirling in the wind; and also collected seconds crossing the street at a run. Just as I am the one they rush to at the door, small arms encircling my neck, and the one that fits against his heart, our breath finding its own syncopation.
I am always a fiction, a mosaic, a memory. We all are.
"Memory fades, memory adjusts, memory conforms to what we think we remember." Joan Didion said that in Blue Nights," and though its true long term memories, it's also true of yesterday.
We invent ourselves based on what we know. What we know conforms to who we know and where we are. We're shaped both by some bright irrevocable spark of spirit, and by the world as we inhabit it each day. We make ourselves, make our wonderment, make our delight, our grief; just as in turn the world makes us.

Day 11: #the5x5challenge

The things that waken me by Christina Rosalie

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What I like about this place where I now live is that the lines are never familiar, and because they are never familiar, I'm always in a state of wonder, always stoping with my camera, recording glimpses, taking note.
Wherever I look there is texture. Stubbled grass. Lawns rife with clover. Murals. Graffiti. Billboards. Tattoos that flirt. Laughter that lifts off cement walls. The almost unbearable beauty of blossoms. A harsh geometry of windows. Ice cream spilled on the sidewalk, and the dog that licks it up. The lengthening shadows of the blue hour. The sky after dusk, indigo and saffron. The scent of lavender and roses. Cherries dimpling the sidewalks. The next door neighbor's lilting Spanish. The staccato of a basketball being dribbled. The grapes along the gate. The green walnuts dropping to the back deck. The people at the bus stop, yelling. The boys on skateboards. The guy with the fresh haircut. The lovers sitting, knees touching at the cafe.
All of it.
I can't explain quite, the effect it has on me to be living in a city as beautiful as this one, other than to say it wakens me. It whets my senses. It calls me to attention, each small moment going any place is an opportunity for close noticing.

Reflections by Christina Rosalie

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I noticed reflections all day, not on purpose exactly, but it matched the way I felt: a reflection of my usual self. More tired than usual, and also, I had the kind of headache that used to haunt me daily last year. I haven't had one in a while; the kind I can't shake no matter how much coffee or dark chocolate or tea I consume. The kind that comes, probably, from not moving enough. From sitting for 9 hours a day, and not doing yoga or running.
Of course I know better. We all know better, don't we?
The problem with knowing is that it's theoretical; it exists in our heads rather than in our bones. And it's listening to that slower wisdom that gets tricky when things go fast. When days speed up, when one day after the next becomes like the crows that abrupt and sudden lifting into the air.

Creative rhythm + some time at the coast by Christina Rosalie

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The past two weekends, though I've committed to the #5x5challenge, I've been off the grid. Though I've taken many photos, and shared some on Instagram, I've had no chances to slip away, get some internet connectivity and post.
There's something that feels right about letting there be a rhythm to these posts. I like the regularity, and the commitment during the week, and also the exhale on the weekends.
I've been thinking a great deal about rhythm lately, and how we've created a culture that doesn't allow us to exhale much. Since dealing with adrenal fatigue last fall and winter, I've forced myself to do that more: to step back, let go, forget whatever definitions I have of perfect.
I'm curious about how you experience rhythm in your creative lives, and in your work lives. When do you give yourself permission to leave gaps, let things go unfinished, fall to pieces, give way to entropy--and when do you persist?


Here are a few of my favorite glimpse from the weekend, getting some soul medicine on the beach with messy hair and sandy feet and the people I love.


Back to the #5x5challenge tomorrow. In the meantime here are a few of my favorites from #5x5challenge contributors this past week:

Food as art

Birthday Party

Expiration Dates

Coffee with cream

Late Afternoon

Seemingly Perfect

The place where things happen by Christina Rosalie

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Sweetness

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Processed with VSCOcam with f2 preset All morning I work at the kitchen table. The boys have off (first day of summer vacation!) and I do not.
Eventually when they've settled into a project, I head out to the backyard to my little studio. I always push through the door with a certain relief; glad for the fact that though it is small, it is just mine. (Virgina Woolf had it right.) The walls, bare on purpose, ready for for whatever I want to tack up. A place to spread out and make things, which I do, though not today.
Today I bring a summer peach with me, and later espresso to keep me fueled through the afternoon. Then I sit, contorting at ridiculous angles in my chair. One knee up. Then both, perching. Then I'm spread out on the floor. I love the work I'm doing, but my body isn't made for sitting still. No one's is, but mine, with my spring-loaded legs feels particularly ill equipped for sitting still, and I'm hankering for the run I hope to get on the beach, Sunday morning.
Today, five minutes of attention happens as I am lying on the floor waiting for my colleague to send me edits. I simply breathe. Feel the way my shoulders are holding on to the stress of a tight deadline. Look up at the way the room is framed anew with my upside down perspective.
Outside the window, day turns to dusk, and dusk to night.
Day 8: #the5x5challenge

Small noticings by Christina Rosalie

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Today this practice is about really sinking into the moments as they come, with full sensory awareness. Riding my bike to work and arriving early to pour a cup of hot coffee and pull together disparate notes into cohesive sentences. Yes, my desk is strewn with paper.
Today it is about noticing small. It's about the sun on my neck at 11 a.m. slanting sideways through the window above my head, and about walking out for lunch at 2, just in time to smell the scent of rain on dry earth as it begins to fall; ozone torn from the sky. Petrichor. How I love that word.
Today it's about noticing the markings of this city: half worn away billboards, unexpected stencils, the tattooed arm bands on the guy that holds the door for me, the sweet tangle of wild roses along a walk and stopping to plunge my face in. Breathing, until the sweetness is inside my lungs.

At day's end by Christina Rosalie

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It's the end of the day, and for a while I feel as though I'm barely here, barely within my skin. It is the feeling that results from a day of intent focus, and of conversations I have in my head with the people I dream about at night.
Does that ever happen to you?
You dream, and upon waking whomever it was about feels close all day, so close you could nearly touch them. Breath, laughter, exquisite tenderness all plays itself out out within the strange, improbable landscape of the dream, and when you waken and try to reclaim it, only the feeling of it remains. A certain almost indescribable intimacy, more real than real life.
Tonight I've climbed into the hammock in the back yard under the pear tree and the apple, with a glass of wine. Immediately, the rope webbing hugs my weight, and I feel my body give, gratefully into its keeping.
Above the sky is blue and cloud-spun and the evening light is milky. Crows, three of them tussle on a telephone pole. Each one claiming their space, each one claiming some piece of the other. "Mine!" they squawk. But in the end, just like us, each one will fly away alone.
I sip wine and watch the light shift and deepen, and try to feel my own heart's tempo between the yelling of the boys, the piecemeal conversation with T, the crows, the neighbors, the greening trees, the bluing sky. On days like this one the world feels hyper-saturated in hue and tone, and I am at the edges, thin skinned in spite of myself, absorbing everything.

Happening in between by Christina Rosalie

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In between the time we come in through the front door and I drop my bag and the little one's backpack on the couch, settle the heft of a grocery sack on the counter, and drink a glass of water, the tempo of story is sounding out a quiet staccato in my head.
In between the time I cut up the purple onion and sauté it with thyme, adding the other vegetables, sweet Italian sausage and hot pepper flakes; and the time I slip out the front door away from the sound of the vacuum and the banter of the boys (Sprout constructing Lego structures, Bean making origami ninja throwing stars) words begin to scatter like raindrops at the beginning of a storm. No plot line, no finished sentences, just the ideas arrowing down in quick succession.
In between the time I sit down on the front stoop, noticing the way the light filters through the big-leafed tree above me, and turning my lens to find its flirtation with shadow, the orchestra is tuning at the back of my mind. Discordant, but persistent. The timpani, the saxophone, the violins striking out, querying, querulous. Nothing makes sense yet but this much I know: a book is in the offing, as inevitable now as the predicted rain. Here it is, happening in between, even as the ordinary moments continue.
The challenge, of course, is to pin the ideas down. The challenge is finding the steadfastness to listen hard, and then to show up at the page.

These are the moments that make things real by Christina Rosalie

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"The former secretary of state."
"What this means for you...."
"Do you have an espresso preference?"
"Do you have the resources you need?"
"In two or three days...."
"Coffee for here."
"I hope. Things are pretty interesting right now."
"What can I get for ya?"
Each line a story.
I'm sitting at the end of a wide planked table at a coffee place I rather like a couple blocks from where I work. It's morning, though not early. Just the right time for a chocolate croissant to eat slowly, and a cappuccino, dry.
A man comes in wearing a blue checked shirt, Vans, dark jeans. He stands by the water cooler, checking his phone. A tattoo peaks out at the cuff of his shirt. Behind the counter, one girl wears a beanie, a nose ring, earrings, and a tattoo collar and sleeves. She has a bright, unguarded smile when someone familiar comes up to order. A family comes in: a girl and boy and their mom and dad. They're clearly traveling from some place or to some place. The dad had olive skin and shaggy hair; the mom's a freckled brunette. The little girl won't come to sit at the communal table until the whole family does, and so she stands, hopping from one foot to the other at the counter.
Beside me is a Japanese man with a goatee, a purple belt, tattoo sleeves of waves, and a MacBook Air that matches mine. A girl walks in, a brunette with dark bangs and big hoop earrings. She beams at him. I offer to move, but they say no, they'll find a different spot, and then they do, opposite each other at the end of a tall table made out of an old drill press.
When my friend comes what he notices first are the acoustics, having spent much of his life in a band. The high concrete ceilings and bamboo planks on the walls that please my eye for their geometry and lines, are terrible for sound apparently. Whenever I spend time with musicians, I'm always struck by how differently attuned they are; always listening to a different rhythm and echo and tone.
Listening to the conversations rise and fall around me I'm suddenly reminded of a film I watched in the early 90s, by myself in a movie theater in Yellow Springs, Ohio. I was 16. It was the first film I'd ever watched without a date, and far too indie and emotionally complex for me to like it at the time, but the images inexplicably stayed with me: Thirty Two Short Films About Glenn Gould. I love the memory I have of it: like a a few dozen nearly picture perfect snapshots, and one is of Gould composing in a cafe, finding notes and harmonies in of what other people hear as noise. The lilt of voice and then another, the clack of cup, the clink of spoon.
These are the moments that make things real.

A sense of place by Christina Rosalie

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It's the small things this morning that have begun to feel familiar the way things do when a place becomes home. A certain sense of place comes with repetition, and this morning's five minutes of noticing are stitched together in the leaving and arriving of the morning routine we've made here.
The boys eat cereal in the breakfast nook as we whirl about, T preparing to commute by bike, me in strappy sandals. They sit at the butcher block island we've had forever (since we lived in the house at the end of the dirt road in VT) and they swing their legs sleepily, alternately giggling and whining about this or that, dragging their spoons around their bowls. Sipping milk, or forgetting to eat as a book distracts them. I check lunch boxes, make tea, fry an egg, blow-dry my still-wet bangs, and kiss T at the door. The boys straggle out ahead carrying the things they do: a lunch basket for Sprout, a backpack for Bean, sandals, a rain jacket, whatever the day demands.
In the car I cut along side streets through the same five blocks every day; past bungalows with yards crowded with roses, and under dogwoods just starting to bloom. How I love their four-petaled geometry and fragrance, each blossom waxy white and scrawled with rosy capillaries, each leaf fluttering beneath in green contrast, caught in the soft wind of the new day.
We go past coffee shops and the place we bike to for donuts; past the haberdashery where everyone tried on dozens of hats, and then across the drawbridge where every time we look up to the little windowed room above us on the bridge. There operator sit. We've only seen him once, in a neon vest. White haired, looking down at us looking up. And when I ask my friend, he tells me that the drawbridges in this city were built before people understood that the river was tugged by the ocean's changing tides. Newer bridges are built in smooth arches, suspended by cables, and boats pass beneath when the tide is low. But there is something about the older ones, rugged with metalwork and rigged with sections that gape wide for passing ships that I admire. An older utility, flawed though it may be.
three little girls all perched behind on a saddle board over her back wheel zip as if it is a daily occurrence.
Then we've arrived. Bean's class starts in the park, jump-roping, and Sprout and I wander about under big trees or I talk with other parents as a handful of dogs run circles about us.
Today it is field day. That inevitable end of year event of water balloon tosses and gunny sack races, and as I'm walking back to my car, the children are gathering in a long line in the park. The sun filters through the leaves of the ancient cedars and tulip maples to find their faces, and eager upturned cheeks.
I watch for a moment, then carry my tea back to my car and find my way back across a different bridge. Leaving leaving and arriving; the different parts of me collide. Theirs and mine. The day as was for a fleeting instant before it becomes what it will be.

The entire point is this by Christina Rosalie

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"CAN SOMEONE RUN MY BATH?" He yells from the open bathroom window. I'm outside, under the walnut tree, reluctant. When I come in, he's already naked, surrounded by a small army of his favorite Lego trucks and matchbox cars. A rescue boat, a semi truck, an "old-fashioned car."
"HELP!" he yells, even though I'm sitting right next to him, watching now as he squats down on the bathmat. Something seems to be wrong with the semi truck. Clearly, he isn't calling to me.
"HELP, BEAN" He yells again, then mutters, "I really, really need it." Behind him, the old Standard tub fills. It's one of properly deep tubs that you can stretch out in and submerge.
His voice rises above the water, "I wish I could play with that. But it's broken." In another second, the semi truck has been cast off to the side. His brother hasn't come to the rescue, off somewhere instead playing the ukelele (a new obsession) or trying to kiss his elbow as he did at dinner when he announced, "I read in a book that 99% of people cannot kiss their elbow, but that 99% will try."
Sprout climbs into the tub, easing into the hot water slowly, then begins to splash and make the strange car motor noises all boys seem to know how to make. I can't recall a single instance as a kid when I made such sounds, though I was every bit a tom boy and could climb a tree or ride my bike faster and more recklessly than any of the boys. What is it about vrrrrooom, vrrooom?
I sit for longer than five minutes, watching, though I only remember to scribble notes into my moleskin every so often, so my collective time still adds up to 5. Sort of. I so rarely sit with him while he takes a bath now, so rarely just sit and watch his antics. This is, of course, the entire point of this exercise.
I tell him that soon it will be time to get out.
"I'M GONNA DO SEVEN, TEN, NO FIRTEEN MINUTES MORE" he says defiantly, his voice at full volume. "NO! I'M GONNA DO SEVENTEEN MINUTES," he adds, as if that is an enormously long time. Then immediately he sing-song whines, "I hate this car. It's broken. I want a different car."
There's been a lot of this thin-skinned, fragile whining lately, and when I'm at my wisest, I know that that is exactly what it is. Last night, after royally falling apart and whining all through dinner, after cajoling and firmness and tears, when he finally was tucked into bed and I lay next to him in the soft nearly dark of his room he told me about the things he was afraid of: how people die, poison, prison, bad guys, robbers. His eyes growing wide.
So small still, this little one of mine, and yet so big. Wiggly toothed. Loud voiced. Bright eyed.
I'm glad I spent a handful of moments noticing so that I'll remember the ordinary sweetness of these moments long after they're gone.     The 5/5 Challenge: Day 2

Here we are by Christina Rosalie

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5 minutes:

After gnocchi, after meeting a new baby sitter and the boys nearly tilting each other out of the hammock while she explored the back yard with them, after waving goodbye to her and clearing the table, we go out front and let the day unwind. T and I with wine and a pale blue bowl of wasabi peas and some dark chocolate. We tell each other the small things. What happened in the moments we were a part.
Sprout carries out an armload of lego trucks. Bean comes with green bamboo, that he's busy snapping into sections. Every minute or so, he brings me another piece, insisting that I blow on it, coaxing a reedy note to lilt from its hollow core.
In grade school I played the silver flute. Though I hated private lessons, I was naturally good at coaxing a clear notes from that slender instrument and years later, my lips remember. With the bamboo, each note is new and soft, and when I play it, Bean's face lights up with a grin.I think of Pan, and of my favorite book in high school: Jitterbug Perfume.
In the rock garden, Sprout sets up roads. There is a miniature accident. A rescue. A bad guy. A cop.
The light softens. Down the street someone is playing basketball. The air smells sweet like peonies and lavender and roses. T and I are sitting close. I can feel the heat of his skin through my shirt. Crows land on the wires. Here we are.

    {The 5/5 Challenge: Day 1}

The 5x5 Creative Challenge by Christina Rosalie

I've decided to do a simple creative challenge for June---to get back in the habit of noticing closely and taking note of what I see.
If you'd like to join, I'd love to see what you take note of daily! Share your name in the comments here, and then come back daily + share a link to what you've posted in the comments each and I'll be sure to stop by and take a peak.

The Rules:

1. 5 SNAPSHOTS WITH YOUR CAMERA. Point your lens. Pull out your iPhone. Notice the little things. The way the light slants. The way their faces look. Whatever moments stand out: The small ones, the important ones, the ones that are fleeting. Quick snaps are good. Careful focus is good too. Pick your favorite 5 + post daily.   2. ONE 5-MINUTE SNAPSHOT WITH WORDS. Take a break from whatever it is you're doing, sometime each day this month. Set a timer and take notice of the world around you. Then write. What do you see, hear, smell, feel, know? Who is around you, where are you? Create a 5-minute snapshot with words daily.

How about trying this for 25 days in a row? 5x5.

Try it rest of June. Ready, set, go!
{The official hashtag for Twitter + Instagram is: #the5x5challenge }

To be at the beginning again, knowing almost nothing by Christina Rosalie

“It makes me so happy. To be at the beginning again, knowing almost nothing…. A door like this has cracked open five or six times since we got up on our hind legs. It’s the best possible time of being alive, when almost everything you thought you knew is wrong.”— Tom Stoppard (from Arcadia)

It's taken me a while to write because every street, every ritual, every instance of who I am, and who we are as a family has been made new with this move. We arrived one month ago, chasing the sun across this wide country, and settled gradually into a wee bungalow with an arched doorway that's just up the street from the original Stumptown .

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First impressions:
There are flowers everywhere. Bamboo grows like a weed, but I like it so. Whenever I go running, I find new paths and neighborhoods past enormous, ancient trees, bigger than any I've ever seen except for the Sequoias growing up. I run uphill, up an old volcano cone until I have a view of the city from above. On one side, Mount Hood lifts above the blue like a dream. On the other, bridges, so many of them, and a skyline I'm falling in love with.
It's taken days, many of them, for my internal sense of direction to kick in strongly. I've oriented now, and there are more days than not (finally) that I can find my way around without help from my iPhone. Thankfully, someone thought to plan most of the city in a grid, with numbered streets running one way and named streets the other.
Our little home is the littlest yet, but I love it harder every day. The angled archway going into the breakfast nook. The gorgeous morning light in the bedroom, and the evening light that floods the living room when we come home. Upstairs, the boys have the "master bedroom": a long rectangular room that was once the attic, refinished with lovely cabinets for all their things, and plenty of space to play. It's made so much sense for them to be up there, where they can sprawl out and leave legos and shells and dress-up things about. And in turn, our bedroom downstairs is dreamy. I've always wanted a room just like this--with windows across two walls, and white floaty curtains that lift and flutter in the breeze.
In the backyard the boys spend a great deal of time in the hammock strung between a plum tree and apple tree. They tilt each other out and scream; they have tickle fights; they drag up quilts and snacks; the read books; they argue. They've both adjusted to their new school and routine with grace and resilience, but there are still there moments when so much change adds up. When things feel scary and big to them. When they fall apart. When they ball their fists. When they cry.
Bean, especially is growing into himself in new ways, and new moods and wonderments overtake him. Sometimes he is the sweetest, and other times morose. His long legs, coltish as ever, his eyes flashing with a new defiant light. Sprout, full of eagerness, tender-hearted, hot-headed. Last night, when things didn't go his way, he stomped his feet and wailed, "I wish the world hadn't been made this way at all." Oh, to be small.
We live near the ocean now. Near food trucks and book stores and swanky restaurants and cafes. My creative mind is drinking it up, like someone thirsty after a long drought. How I love to be at the edges of things watching; or at the center, unnoticed, curious, smitten with beauty. I love the thousand faces I pass every day. The bikes, the blooming roses, the bumble bees, the baristas. I love the jumping rope that happens every morning, rain or shine outdoors at the boy's school. I love the tiny studio T built for me, with just enough space for creating, floors made for spilling paint, and walls for thumb tacks.


And... I am still finding the tempo of life here. When writing happens; when work does; and also running, and painting, and kissing and friends and dinner too. One of the things I've missed the most, that this blog has always been for me, is a daily record. A few moments pause. A handful of moments of intentional observation. Sometimes the most effective way of reclaiming creative habits is to start with exactly where you are, and with the smallest actions, which build to their own momentum and greatness in time.

I've been thinking a lot about what that might look like, and I've settled on this simple routine for June: 5 photos + 5 minutes. 5 photos documenting moments throughout the day, and a 5 minute writing exercise: simply recording the immediate, the present, the now.

I'd love for you to join, if you'd like! (I'll be posting more about this little challenge. Keep an eye out.)

BTV to PDX Days 6 & 7: Utah to Oregon by Christina Rosalie

By the end certain routines became habit, an inevitable part of of being on the road for days on end.
We carried things into each hotel in a rag-tag orderly manner, then proceed to tooth brushing and story-reading, puppy-piling on the hotel bed as though it was all we'd ever done. A life in motion. A night of rest, and anywhere will do.
In the morning in Ogden, Utah, the grass was covered in frost but the air was sweet, and the mountains lavender in the new light of day. Whatever the future would hold, hadn't reached us yet. We were just there, gathering up our things, making circles around the city for a breakfast place, then moving on.
Road travel. Everyone warned us that the boys would become unbearable. They said we'd need to keep them plugged in to an endless supply of movies and games, screen time to the max. But we didn't. In fact, though we brought the iPads for that purpose, we never pulled them out.

Boredom is it's own precious device.

Creativity exalts when the mind is left to wander about aimlessly, watching the hills change. New games happen. Ideas connect. Characters come to life.
Things we did do: lots of stops to run helter-skelter down hills, the wind in our hair. Snack breaks. The long hours spent listening to the Moth radio hour and Radio Lab podcasts. The license plate game (only 9 states eluded us.) Good tunes. Sketchbooks filled with pictures. Picture books. Chapter books. Stickers. Candy. Chewing gum. Running circles with the dog.
Yes, there were intolerable parts where everyone was hungry or sick of being in the car, but for the most of it, we were content to be together, moving across the wide country towards our collective future.
The last two days, from Ogden into Oregon, and then from some small place in Eastern Oregon were a blur of anticipation. We drove long miles through the wide expanse of irrigated fields, past canyons and waterfalls, windmills and fruit trees. We followed the river, west, west chasing the sun and finally below Mt. Hood's white-capped auspices, we could feel the future colliding with our now.
Past trees and water-falling cliffs, past big dams and bigger dams and wide-spanning bridges, and then finally, finally into Portland where we all yelled out "HOME!" and then looked immediately for sandwiches.
Since then we've been gradually unfurling, finding new routines in this new place. I can't wait to share some new stories, adventures + inspiration.

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